Merry Meltdown

Almost every year, at some point on Christmas Day, I find myself in tears.  You might say it's a tradition - not planned and anticipated like wrapping presents or making my eggnog cheesecake, but just what spontaneously seems to happen.  I think it's largely because of attending Midnight Mass at the Ranchos church the night before, the way it opens and softens me. Also, being up so late means I'm tired on Christmas Day, and that adds to my feeling of vulnerability.

This Christmas crying is not a bad thing.  As Kahlil Gibran pointed out, sorrow and joy are inseparable.  And for either to exist, the heart has to be open. 

Christmas is about the birth of a baby - the most vulnerable, crying kind of creature there is.  When the Holy Child is born in my heart, joy cracks the brittleness inside me a little bit more, and I see the remaining brittleness more clearly.  The desire to freely and fully love is ignited anew but starkly contrasted against that, I see where I still fail, where I am still frozen in fear and resistance, and in noticing that, a little of it melts into tears.

Though God’s wisdom and holiness remind us of our limitations, it is precisely within these limitations that wisdom is often revealed.  The incarnation represents the moment in which this wisdom enters the human sphere in all its contradictions, so that nothing is left without transformation and transfiguration.   

~ William J. Danaher Jr. (via Edge of Enclosure)

So here I am the day after, and I can treasure these insights and begin again.  It's perfect that the new year begins soon after Christmas; I can plant seeds in this darkness and water them with these tears, and watch a new thing grow.  The light has been reborn, the world has been reborn, and I am in these movements too.  This beautiful day is mine to live, to surrender and surrender to the flow of grace in each moment.  And when I fail, to surrender again.
 

  Always we begin again.

~ St. Benedict

The Giver of Rocks

So it turns out I'm not quite done with the San Francisco de Asis church after all.  And it occurs to me that really, as long as I'm living in Taos, I will periodically find the time to stop by and sit by Clare and the hawkmoths.

Last Sunday, Eliana kept saying she wanted to go for a walk, so we went over there together, which is something we haven't done very often, and the last time she was still too little to walk by herself.  But this time, we went side by side, and it was lovely.  And when we walked through the grove that is no longer a grove, I noticed that the huge tarp they left there after enjarre last summer was still there.  (To be honest, part of what I was looking forward to about this walk was seeing if the tarp was still there, because 70% of my thinking these days is about where to get building materials and equipment, and tarps are needed to protect earthbags from UV rays during the building process.)  When I stretched it out and saw how big it really was, I realized I would need help folding it, so I called Graeme and he came to help me and then carried it back home.

Then Eliana and I proceeded on to the church, and I came across my second great find as we walked through the alley next to the gift shop.  They often leave boxes of empty used glass 7-day candleholders out there, but this was the first time they seemed of any use.  I've been researching making windows using old bottles and jars lodged in cob, so I was very excited to find these.  Now I will have part of the church permanently built into my house.

Do you see the cross design?  So cool!

Over at the church, there were quite a few visitors milling about the courtyard, and I found myself sitting at St. Francis' feet engrossed in a pleasant conversation with a couple from Dallas.  Meanwhile, Eliana was running happily around the courtyard, picking up rocks and then running up to whoever was nearby and saying "Here's a rock for you."  One couple was so delighted with this, they even included her in the photo they were posing for in front of the church doors.

It was a beautiful spring day, one of the first of the season, and I felt rich in my relationship with that place again, and blessed with the abundance of gifts of the day.  A tarp, a box of candleholders, a daughter who's an exuberant giver of rocks.  In my Lenten practice of giving up "stuff," it's these simple things that are coming to me in the new space I'm making.  I think Francis and Clare would approve.

All My Longings Know Where To Go

I love the relationship I've developed with our northern New Mexico spring.  When I lived in Louisiana, spring started in February, and by Mardi Gras, all the azaleas were blooming and I could comfortably open every window in the house.  Not so in northern New Mexico.  It took me several years to get used to the fact that February is still winter here.  Since February is also my birthday month, this felt like a personal insult.

But now, I've stopped looking for spring where it's not to be found, and embraced winter in its fullness instead.  I tend to forget that spring is even a possibility; I don't hope for it anymore.  So when it does arrive, it's always an unexpected delight.  It's a little like when you know what you're getting for your birthday, but the giver wraps it anyway so you get the pleasure of tearing the paper away.

Spring has begun to make her descent, and once again I find myself unexpectedly enlivened and delighted.  But this spring, there is the added factor of my housebuilding plans.  Spring means it's time to build, and I couldn't be more excited to begin.

A month or two ago, I copied the following horoscope from Rob Brezsny into this post draft, because it rang so true for me.

"All your longings know where to go," writes poet Nick Piombino, "but you have to tell them to open their eyes." That's one of your big assignments in 2011, Pisces: to make sure your longings keep their eyes open. It's not as easy as it might sound. Sometimes your longings get so entranced by obsessive fantasies -- so distracted by the stories that are swirling around in your imagination -- that they're blind to what's right in front of them. You must speak to your longings tenderly and patiently, as you would a beloved animal, coaxing them to trust that life will bring more interesting and useful blessings than anything fantasy could provide.   ~ Rob Brezsny, Freewill Astrology

Well, folks, my longing's eyes are open, and life has indeed been providing "more interesting and useful blessings than anything fantasy could provide."  In fact, I've been continually astounded by how beautifully different aspects of my housebuilding project have been falling into place.  I won't go into detail about that here, but if you're interested, you can read all about it at my new blog, Home Sweet Hive.

What I will say, though, is that my direction has definitely changed.  It occurred to me recently that I haven't even thought about the San Francisco church in a while, and in conversation with my dear blogging friend, Jennifer, I realized that it's time to close the door on that chapter of my life.

However, part of my plan for building a house has involved getting a 4WD vehicle for the rough terrain where my land will be, and when I contacted the man I ended up buying my new Chevy Blazer from, he suggested we meet in the church parking lot.  Walking over there that morning, I felt a satisfying sense of closure, that a beginning was happening in the exact place where something else was ending.

Another thing I copied into this post a while back (I do that sometimes, just gather snippets to build a post around later) was this quote from Thomas Merton, via Abbey of the Arts:

Forest and field, sun and wind and sky, earth and water, all speak the same silent language, reminding the monk that he is here to develop like the things that grow all around him.

The last snippet I had copied into this post was about clouds, as I noticed after I made my 2011 collage that there were an awful lot of them, which I didn't consciously intend.

I began to think about clouds as living things, and taking my cue from Merton, I pondered how I could develop like a cloud.  This goes back to longings, because I think of the expression "head in the clouds."  With this building project, I feel a profound balance of head in the clouds and feet firmly planted on the ground.

Developing "like the things that grow" is what building an off-grid house is about for me, and I've realized that it's not just flowers and trees, hummingbirds and bats that serve as models, but that gorgeous, handmade, majestic church building that I've sat gazing at for so long.  She herself is a growing, living thing, and that's how I want my house to be.

Setting Scraps of Light on Fire

Scraps of light through the adobe ruins next to the grove

Today is my one year blogoversary.  It is this and only this that has finally gotten me to sit down and write a post.  I have missed blogging and think about it almost every day, but my life has become so full of other things that I haven't had the inspiration.  To find some, I walked over to the church today, but there were too many people around so I ended up in the grove, where I sat and wrote this post by hand.   I have found myself sitting in the grove more often lately than in the church courtyard.  It's green again, although the mass graves of trees are still untended.

So much has happened since I last posted, that I don't know where to begin.  Should I tell you about my busy life?  The immense sense of loss and sadness I've been feeling?  Should I talk about how disconnected I've become from my writing?  

Or maybe I should try to be more positive, and tell you about my discoveries about bats, or the white cat I keep seeing, or my lemon tree dream.  But all these things are moments that have passed, inspirations that have faded in the face of too much work.

I'm not happy.  I know I need to just accept the way my life is right now, surrender to it.  Believe me, I'm working on that moment by moment, but there is a very sad little girl inside me who wants to come out and play.  And I don't know what to tell her to make her stop banging on the door.

And I realize how much I miss you all, my blogging friends.  It's not only the writing that I miss, it's the community, the support.  I feel very alone in my life these days, very much like I'm carrying a heavy burden by myself.  Stumbling and faltering under it.

But life goes on, and I just keep taking the next step.  At times I have glimpses of all this as a journey of significance, but mostly it just feels like stumbling in the dark.  I get tired of trying to hang onto the scraps of light that are tossed me.  I get mad at God for not giving me more, and then I'm ashamed for feeling that way.

And that's why I need - NEED - to write about those scraps, because it's the only way for me to hold onto them as guides, as reminders of the greater journey, the better story.  I need to tell you about last week when I had both a butterfly and a dragonfly on my finger in the same day.  They were both trapped in my house at different points, and I freed them.  

I need to tell you about dreaming of a sugarlaced lemon tree so glorious that gazing up into it was like eating the sun.

I need to tell you about the lessons bats have been trying to teach me about surrender and rebirth, about echolocation, in which bats navigate in the dark by using their voices to create sounds that reverberate off objects - the ability to see with the ears, to hear with the voice.  Because by telling you, I have a greater chance of really learning the lessons, internalizing and integrating them.  I too hear with my voice.  I learn by teaching.

And now, just by writing all this, I feel lighter, happier, inspired, free.  It occurs to me that this post follows a similar structure to some of the biblical psalms that start out with a lament and end with praise because by writing the lament the psalmist has seen the joy again.

Now I see that the writing I haven't been doing had hardened around me like ice, that scraps of light left unshared leave me cold, and once that happens, I have to write into the cold to break through it.

The fire must be tended or it dies out.  The fire must be fed, and for me that means writing it. 

At the Crossroads

I've been thinking a lot about the concept of pilgrimage lately.  It has been one of those themes that starts coming to me from several different directions at once until I find myself viewing it from a number of interesting angles. 

During the writers' conference that I participated in a couple of weeks ago, I had a major epiphany about my relationship with the San Francisco de Asis church.  From my very first post about it, I used the word "pilgrimage" to describe what I was doing in walking over there.  I said it was like taking a little daily pilgrimage, but what I've now realized is it's not a series of small pilgrimages, but only one, a long and profound one.  It's not a long journey in terms of physical distance but of time and moving through layers to an essential core.  

And today on Claire's blog, her post is titled "Pilgrimage as Inner Journey," and astoundingly connects with my own experience and thoughts.  She starts the post with a pilgrim's prayer, and one of the phrases that really jumped out at me was the plea for "a guide at the crossroads."  Because a crossroads is exactly where I am.

Ever since the writers' conference I have been dealing with the sense of moving to a deeper level with my relationship to the St. Francis church and the book I'm writing about it.  The piece I submitted for the conference workshop was woven together from various blog posts about the church, and the thematic thread I used was that of nakedness.  Some of you may remember my post last fall called "Naked in the Town Square."  I drew out the theme from that post to encompass the whole piece, and found it developing in my heart and mind as I did so.  Today in Claire's post, she talks about inner pilgrimage as a process in which she hands over to God all her life, both inner and outer, a process which feels like "stripping bare."

I am naked at the crossroads right now, because the conference made me realize that this book I'm writing is no longer hypothetical - I'm really doing it, and that process means getting more deeply involved with the church.  It occurred to me that it's time to talk to the priests and let them know what I'm doing, that it's only respectful to do so.  And also that one of my desires is to weave journalistic writing in with my memoir-ish stuff, and in order to do that I must connect with actual members of the church, get to know them, interview them.  It's time to move beyond the courtyard and enter the building, the body.  And this frightens me, for a number of reasons:  Fear of approaching people I don't know, doubt of myself having the "right" to be writing this book, boldness to claim that I'm doing so, putting myself and my writing out there to be scrutinized by people who have been members of the church all their lives.  Naked, naked, naked, in the stark light of day.  It would be so much easier to keep sitting in the courtyard with the hummingbird moths.

But honestly, the thing that frightens me most is in how I will be altered by deepening my relationship with this church.  I fear that I will be swept away, lose myself to it.  I have been flirting with the church, and now I'm confronted with the choice to make a commitment that I have no idea where it will lead.

Claire speaks of pilgrimage as a time of testing and says, "There is always a moment when it gets too much."  And to continue beyond this point requires surrender.  This is the crossroads where I now find myself.  Will I, as Claire puts it, allow the path I'm walking to "walk me?"  Even as I write this though, I realize it already is, even though I still have strong resistance.

Just now the church bells began ringing, calling the people to worship.  Today is the feast day of Santiago, and the annual Taos fiestas honoring this saint are in full swing downtown.  Hearing the bells, I feel an aching longing to be at the mass, but fear holds me back.  I'm not Catholic and I don't know how to do things like enter the pew and even if I did I would feel like a fake going through those movements.  I don't know the words spoken and sung during mass that Catholics know by heart, many of which are in Spanish, which I don't speak.  I don't know if they have childcare for Eliana or if I'm supposed to keep her with me, and I'm too afraid to ask.  And so I don't go.  I sit here and write about it instead.

Interestingly, the specific pilgrimage Claire refers to is the Camino de Santiago in Spain, and she writes of currently being elsewhere in the world, missing that place, knowing that today there is a huge celebration of the saint for which it's named. 

An amazing thing that came to me through the conference was in a discussion I had with one of the other participants who said she sensed that my deepest connecting point with the church is through St. Clare, not only in terms of the statue in the courtyard that I love, but also her story, that this woman perceived wants to be told and lived through me.  So today I am thankful to both my Cla(i)res for being my guides at the crossroads, and the awesomeness of this interlacing is not lost on me.

The name, Cla(i)re, of course, is related to clarity and light.  I have many photos of the statue of Clare in which she is framed by incredible clouds.  This is the metaphor I turn to today.  Recently I closely inspected an iron cross in the courtyard that I had never paid much attention to before.  I discovered that there is a Latin inscription on it, "Occurrent nubes," which Googling led me to learn means, "Clouds will intervene."  I love the mystery of this, I love that I can look at the clouds of my own doubt and fear and see how they interfere with my clear direction, but also in some way contribute to the overall pilgrimage.  A pilgrimage is not a straight walk from here to there.  Clouds refract light into variegated beauty.  They soften the harsh light that exposes nakedness.  They intervene on behalf of clarity if I only pay attention and keep walking the path, however haltingly. 

Graffiti and Roses

Today is the Summer Solstice, and what that immediately conjures in my mind is Shakespeare's A Midsummer Night's Dream and a vague longing for romance and the ocean.

But I am single, and nowhere near the ocean.  I was hoping to visit the west coast this summer, but chose instead to put money into a writer's conference that will be happening here in Taos.  (Have I mentioned that I'm writing a book about my relationship with the San Francisco de Asis church?)  My heart right now is very much with the Gulf Coast, and so at this Solstice time of great light and life, I am permeated with the awareness of darkness and death.  I feel it in my own body.

Today is also Honoring Sacred Sites day, and so I send my light and life to the Gulf Coast, the sacred ocean.  And I turn, as I do every day, toward the San Francisco de Asis church, the sacred site right outside my door.

Taos is a tourist town, and each summer a theme is chosen to center activities and events around.  Last year it was "The Summer of Love," and the focus was on Taos' strong and enduring hippie culture.  Dennis Hopper came for the opening of his art show.  This year the theme is "Return to Sacred Places."  In fact, the newspaper held an essay contest for Taos residents around this theme, and I got an honorable mention for my essay about the church.

Because of this theme, there has been a lot of focus on the St. Francis church, with talks given and three art shows around town.  I missed the talk that was given at the public library on June 5, but was lucky enough to catch it on the radio the other night.  The thing that most struck me in this talk, given by David Maes, who is a lifelong resident of Ranchos de Taos and member of the church, was in his introduction.  He spoke of how the church belongs to anyone who experiences its sacredness, and how even the air around the church feels holy and refreshing.

I did not participate in enjarre, the annual remudding, which is now over.  There is a variety of reasons for that, but one of the most unexpected ones was the sense of loss I've been experiencing over the cutting down of trees in the grove by the church.  It left a bad taste in my mouth and made me want to stay away from the church altogether.  It was several days after seeing all the stumps before I could go back, and when I did, the stumps had all been overturned so that the whole space resembles a twisted wasteland.

The next time I went, a few days after that, I discovered that the entrance to the grove between the gift shop and rectory was now defined with edging and filled with gravel.

I have to admit I'm having trouble with these changes.  A little bit of wildness has been tamed.  I don't think the birds are happy about it either.  The doves have been completely silent and the crows have sounded so angry lately.  They've been congregating and having screechfests in my yard.  I know I've mentioned the birdlife at the church before but I want to give you a clearer picture of this.  It's really only been in the past month or two that I've realized how central the church is to the bird communities of Ranchos de Taos.  There are more birds in this part of Taos than any other, and what I finally realized is that the church is their crossroads, their center.  They fly back and forth, in and out from that hub.  Maybe it's my imagination, but it seems like there's been less bird traffic since enjarre began.

And I can't help but wonder how St. Francis would feel about all this.  One of the things he was famous for was going around and restoring rundown churches, but I wonder how far he took that, balanced against his intense reverence for Mother Earth and her creatures.  Sigh.  Well, what's done is done, and there is nothing for me to do but accept and integrate these changes, and continue to simply observe them.  One thing I do like is the new sign that marks the entrance to the grove from the church side:

The grove is still in flux.  Orange fencing surrounds the area near the adobe ruins that borders the grove, and certain spaces are marked out in a way that suggest something is planned.  Perhaps I've never mentioned the ruins before.  It's hard to give you the scope of it with my simple camera, but here's a try:

It's not the Parthenon, but there is still something sacred in this to me, even or perhaps especially in the graffiti.  There is a sacredness in the way we leave our artful marks on things.  I love the way recent generations have come up with ways to do this even in urban landscapes.  Graffiti, skateboarding, and parkour are all ways to use and add to the mundane and manmade in elevated ways, turning the utilitarian into the artful, for the sheer joy of it.  (I must mention here that I love the concept of Tess' blog, Sacred Graffiti; I highly recommend you visit there.)

After some inquiry at the gift shop, I discovered that the activity around the ruins is because an archaeology group is doing excavation.  When the church was first built, it was surrounded by a fort, and the buildings later became private residences, many of which are still occupied.  Since those buildings hold a lot of history, it makes sense that an archaeology group would be interested in the ruins. 

On the other side of the ruins is the church lot, a deep contrast in its manicured beauty.  Now that things have calmed down a bit over there, I've been able to settle in and enjoy it again. Today, a man was revarnishing the benches in the courtyard.

I love to see the seasonal changes over there.  The flowers that the hawkmoths come to aren't blooming yet, but the rose bushes are in full bloom, something I missed last year because I didn't start walking to the church until after the blossoms had faded.

Clare, the Virgin of Guadalupe, and their roses.  Notice the ruins in the background.

I'm thinking about the pruning metaphor again in terms of manmade changes versus "natural" ones.  I once had a student who wrote an astonishing paper using Emerson's ideas about nature to back up the claim that everything humans do is natural.  Is the grove-clearing and throwing down of gravel as natural and beautiful as any seasonal change of the flora?  My instinctive resistance to this idea is based on the fear that if we believe that, it gives us license to do all kinds of real damage, just the way that verses from Genesis about mankind having "dominion" over Creation have been used to justify all sort of horrible nonsense.  And yet, partially thanks to that student's paper, and also Byron Katie's teachings, I can't help but wonder:  If we consciously saw things in this way would it not ultimately give us a greater, not a lesser, awareness and sense of responsibility in our interactions with the natural world?  In fact, we would no longer see ourselves as being separate enough to have "interactions with" the natural world, but would know ourselves to be part of the organic whole.

I don't know.  If I've learned anything in my four decades here on Earth, it's that it's a long road from ideology to integration.  But on this Solstice day of honoring sacred sites, it feels like an appropriate rumination.  Graffiti and roses, skateboarding and birdflight, excavation and pollination, pruning, enjarre, restoration, decomposition - my former student would say these things are equal to each other, equally natural.  What has always appealed most to me about the St. Francis church, which is the most sacred place in the world to me, is the dance among nature, culture, spirituality, religion, art, tradition.  And the paradoxes in all of it, the paradox in my relationship to it as an intimate outsider.

What better way to honor the seasonal changes of nature and sacred sites both "natural" and manmade than to perceive ourselves as fully integrated with and responsible for them the way we are responsible for our own selves?  This is also National Prayer Day, and the only prayer I have is for this, and then to rest in the holy paradoxes, the mysteries to be integrated within and beyond our ideologies.   

The Ruthless Gardener

Bell near St. Clare's statue in the San Francisco de Asis courtyard

As I continue to practice dropping out of my mind and into my body, several interesting things have been occurring.  One is that my normal state of intense study and research is becoming less normal.  I simply don't have the same intensity of thinking, which also means less writing.  I've been finding myself at a loss to even comment on all of your blogs.  Even this post is more like an eruption than a coherent thought process.

At the same time, my level of physical activity has accelerated quite a bit.  As I'm spending more time in my body than my head, really listening to it, I hear that it wants to move and work, for the sheer joy of it.  I have taken up running with a zest I didn't know was possible.  For most of my life, physical activity was something I thought about doing, felt like I should be doing, but didn't actually want to do.  Now I look forward to it, and find myself having to temper my enthusiasm so I don't OVERdo it.  I've also been working in the yard, gardening.  I planted pumpkins, and they sprouted!  My arms are sore today from pulling up weeds.  There is an incredible level of satisfaction in all of this.

But nothing stays the same.  I simply don't know from day to day what my perspective will be.  It's as though things are shaking loose within me, swirling about, uprooted.  I worked hard on trying to let go of a thing I wanted.  That didn't work.  So I started praying earnestly for that thing, something I'd never tried before.  I prayed specifically and articulately every day with all my heart.  Until I discovered I didn't really want what I was praying for.  What a paradox - when I tried to not want it I wanted it more, and when I gave myself over to wanting it, I stopped wanting it. 

Now the loud voice of wanting in my head is shrieking with rage because I've abandoned it and it doesn't have an anchor anymore.  It's desperately trying to seek one, and I'm just watching and listening.  Not judging, not giving in to its ludicrous demands, just seeing.  Just hearing.  Go ahead and rant and rave, I can't stop you anyway.  I will just wait here in the quiet you can't touch until you diminish, which is already happening and is in fact the reason you're being so obnoxious, trying to cling to life.

Nothing stays the same.  Everything shifts and sometimes that looks "wrong" or dangerous.  "To enjarre or not to enjarre" got pushed way into the background this week because I got very sick.  I won't go into the details, but I was showing exact symptoms of a pretty serious condition.  However, by the time the doctor looked at me, the symptoms were gone and my tests came back fine.  I'm convinced that I made myself sick by listening to the shrieking voice.  I let it take me over for a couple of days, and became unguarded enough that the tumult of emotion that accompanied that rotten thinking caused something like an oil spill in my body.

When I finally felt better physically, and could listen to the shrieking without being taken over by it, I was eager to go for a run.  It had been days since my enjarre encounter.  I waited until evening so there would be no crowds at the church, since I was still not quite ready to deal with that challenge. 

Nothing stays the same.  Have I mentioned how very much I love the little grove by the church?  Well, they cut down most of the trees.  They only left the ones around the perimeter, but essentially, the grove is no longer.  It's just an empty lot full of tree stumps.  They took down the tire swing my son and his friend strung up with an old garden hose; in fact the tree it was hanging from is gone.  I'm welling up with tears as I write this, as I did when I first saw it. 

Nothing stays the same, but everything outward is reflected inwardly with an eternal tint.  I think of the metaphor of pruning in John 15.  Some prunings are bigger than others.  Sometimes life is pruned so radically it's alarming, and doesn't fit my idea of how things "should" be.  Do I really ultimately know what "health" means?  Do I really know what is for the ultimate good of myself or the world?  

Oil spills, sickness, destruction of trees.  All ranting and raving is a wall of nothing against such things.  These things happen, and I see them all together.  I see in them meaning and connection that suggest a story I cannot fully tell.  I hear in them only the call to awaken, the thunder of tremendous bells. 

Jarred by Enjarre

Notice the individual pieces of straw in the adobe.

The cloud formations just around sunset the other night were the most amazing and bizarre I've ever seen.  I was sitting at the computer when I looked out the window and noticed the unusual quality of light outside.  It had that otherworldly pink glow that sometimes happens when the sky is partly overcast and partly clear with a certain angle of the sun.

I put Eliana in the stroller and went out for a look-see.  A layered variety of clouds in the west hovered above the setting sun.  Some were sinewy and fetal, and these were superimposed with intense depth over what looked like calm waves on an ocean.  The whole configuration appeared to be a world upside down.

As I walked down the street toward the grove, the sky was intensely blue in certain places, but the overall quality of light was orangy-pink, and within this, the arch of trees over the road appeared electric green.  We walked slowly through the grove and I felt like I was dissolving into light and green, the scent of grass.  But when we got to the passage between the gift shop and rectory, it was blocked by a parked car, and I could see and hear a group of people in the courtyard.

I tried to wedge between the car and the gift shop wall, but the stroller wouldn't fit.  In frustration, I turned around and went back through grove, and we went around the neighborhood a different way instead.

The next day, which was yesterday, I discovered that the cause for the group at the church that night was that the annual remudding, called enjarre, was beginning.  I went for a morning walk with Eliana and was startled to see that the entire church parking lot, front and back, was packed with cars.  Even the side streets were full.  I could barely navigate the stroller in certain places.  The courtyard was packed with people, and there were two large trucks bearing cranes parked right next to the church.  Groups of two or three were hoisted against the walls of the church in little boxes, beginning the process of giving the church its annual facial.

As I walked back through the grove, another large group was busy pruning and cleaning up.  This was sort of a shock to see, as in all the time I've been walking through that grove, I've only run into a couple of other people doing the same, and there's usually a startled mutual acknowledgment along the lines of "Gee, I never see anyone else here."  It even has a slight undertone of propriety, like, "This is my place - what are YOU doing here?" 

Once I went specifically to the grove to pick up trash, and this was actually the first time I saw another person there.  An older man was doing exactly the same thing I had come to do, so we naturally started talking.  His name was Ray and he's a lifelong member of the church who periodically tends the grove.  He told me about the family who owns the lot, how they live in another part of town and won't take care of it, how the church keeps trying to buy it from them but they won't sell.

In that conversation, I felt a kinship with Ray.  Yes, I'm an outsider, but we were just two people taking care of a place we love, and I learned something about that place from him.  But encountering the enjarre masses, I felt a mixture of negative emotions that surprised me with their force.  I felt alienated, irritated, jealous, displaced.

Usually it is only members of the church that participate in enjarre, but this year they announced in the newspaper that it would be open to other committed volunteers.  I felt a pang when I read this because I knew I would not sign up, partly because I don't know how much time I'd be able to commit because of having Eliana, but that's not the only reason.  And I didn't really want to think about what that other reason is, but now I've been forced to:  I don't want to share the church with others.  I don't want to be part of a team, naked in the crowd.  I want to have my little private love affair with that place.  And this made me realize I'm like the other woman, refusing to recognize the wife.

And yet I do fiercely want to be involved.  I want to go be a part of that whole huge thing.  I want to contribute.  I want to touch the church, smear mud in her cracks, share in this sacred communal act.  I can't even believe such petty emotions are holding me back from it.  I'm realizing that I might actually be attached to being an outsider because that makes the church uniquely mine, and if I let go of that, I'll lose it.  It won't be special anymore.

Writing all this now makes it so very clear how ridiculous the ego really is.  

Somehow, I foolishly thought I could just bypass this whole event, just sort of walk around it without touching it.  But I see now I'm being called into something that isn't going to let me go.  This event will continue daily for at least a week and maybe two.  I have no idea how it's going to unfold, what I will do.  At this point, I feel like I would be insulting the church and myself if I just avoided the place until enjarre is over. Will I let life distract me away from getting involved, or will I stop being such a chicken and just jump in?  I honestly don't know.

Easy Runner

I went for what has become my usual morning run a little late this morning, and when I came out of the grove into the church lot, there were quite a lot of cars and people, and it looked like a funeral.  Turns out it was Dennis Hopper's, which I began to suspect by the eclectic nature of the crowd.

I tried to stay to the perimeter of the parking lot to be respectful, but as I ran past a parked car with an open door, I couldn't help but notice that a man was sitting there in his underwear putting on dress pants.  Anyhoo.

I definitely felt a pang when I heard that Hopper had died, since True Romance, one of my very favorite movies, features him.  In fact, there is a truly brilliant scene between him and Christopher Walken which I feel is one of the best scenes in any movie, ever.  I'm glad for the grace that allowed me to brush up against his funeral and, however briefly and incompletely, honor his life with the expression of my own through running, something I'm completely stoked to finally be doing.  I've realized that I'm a person of passion and intensity and if I don't give that energy a release in vigorous physical activity, it's going to assert itself in less healthy ways. 

So I like that this new passion of mine connected me in some tiny way to Dennis Hopper's life and death.  He was known for being "difficult," an "enfant terrible" - things I have been seen as often myself.  He walked a self-destructive path for many years, but eventually emerged out of that, and overall his life can be perceived as a wild adventure, a kind of trail-blazing, and an amazingly diverse expression of creative genius.  That inspires me.

And in many ways, Hopper embodied the spirit of Taos, which is itself a sort of enfant terrible.  I love that his funeral was at the San Francisco de Asis church, which strikes me as a wonderful meshing of the frontier-like wildness, noble tradition, profuse creativity, and eclectic spirituality that is Taos.

As I write this now, I hear the bells at the church announcing the end of services.  I also just re-watched on YouTube the scene that I mentioned, and I'll leave you with that. Some of you may not want to watch it as it's pretty intense in terms of violence and profanity.  But if you can get past those things, it's definitely worth seeing, as Hopper's character stands up against the mafia in a brilliant way to defend his son, and becomes sort of a Christ figure in the process.

Easter Bells, A Blessing of Crows

How mysterious that the Lent in which I did not attend church or immerse myself in Christian reading, ritual, or prayer was my most powerful one ever. I didn't read about Jesus, or even think about him much, but I have been going through a death/rebirth process that I think is what he was trying to teach about in the first place. Actually, it's not so much an ongoing "process" as it is a momentary, repeating occurrence: I find myself upset about something, and instead of trying to fight myself, I surrender, let the feeling die, and am reborn back into myself. It may happen many times a day.

I didn't know what I would do on Easter, and I deliberately made no plans. Since I had already been experiencing these rebirth-moments, Easter didn't strike me as terribly significant. When I arose Easter morning, I considered going to church, but found myself uninspired to do so.

I felt a certain sense of loss, of regret, that I was missing out. It was just a little nagging thing in the background of my attention, but it was enough to keep me feeling slightly off-center. I was sitting in my backyard feeling this offness when the church bells at San Francisco de Asis began to ring out. At first, hearing them intensified that uneasy feeling, but then the bells became church for me. They only rang for a minute or so, but as I surrendered my full attention to them, to enjoying them, I entered into those moments fully, and the Easter bells put me in the resurrection mood, brought me back to myself. Out of the tomb and into the day.

And I thought, as I often have, of a quote that Barbara at barefoot toward the Light posted a while back:

Just as the gong in a center for meditation reminds us from time to time to return to ourselves in the here and now, we all may become "bells of attentiveness."  ~Dorothee Soelle in The Silent Cry: Mysticism and Resistance.

I love this analogy, the poetic beauty of it and the immediate effect it has on me. Just by thinking bell of attentiveness, just by entertaining the image in my imagination, it becomes my experience, now. It's a little icon.

This rumination also led me to remember other "being a bell" quotes from two of my favorite writers:

“The day's blow rang out, metallic -- or it was I, a bell awakened, and what I heard was my whole self saying and singing what it knew: I can” ~Denise Levertov

"I had been my whole life a bell, and never knew it until at that moment I was lifted and struck." ~Annie Dillard

The thing that occurs to me is that in the sound that rings out, bell and what strikes it are one. Which leads me to another quote I discovered recently:

Take time to stop and smell the flowers," says an old homily. Albert Hoffman, the Swiss scientist who discovered LSD and lived to age 102, had a different approach. "Take the time to stop and be the flowers," he said.

That's my advice to you. Don't just set aside a few stolen moments to sniff the snapdragons, taste the rain, chase the wind, watch the hummingbirds, and listen to a friend. Use your imagination to actually be the snapdragons and rain and wind and hummingbirds and friend. Don't just behold the Other; become the Other.   ~Rob Brezsny, Freewill Astrology

Easter afternoon, I walked over to the church, something I've not done much recently. It was sunny, warm, and breezy, and no one was around. I lay on a wooden bench in the courtyard for quite a while, gazing up through the branches of a pine tree.

On my way back home through the grove, I noticed a lovely little patch of green green grass, something we don't have a lot of here in dry New Mexico, especially in early spring. I sat down in its softness, letting the play of light and tree branch shadows dance over me. I became very still, and watched two large crows fly back and forth among the trees, until they both came to perch in the one nearest me. Out of intense stillness and silence, their occasional lazy caws resonated through me, and the three of us just rested together. As I gazed at one of them, he or she looked back at me with tilted head. I felt an unmistakable connection, a message, the warm thrill of a caress. To be noticed by such a glorious creature! I was lifted and struck.

I may have missed church, but I didn't miss communion.

Arising

Today is St. Patrick's Day,
and
I have no ritual, no essay. 

What was his story again?
Something green, about snakes
and the Christ.  The only interest
this holy day holds for me
now is the Breastplate, the invocation.

I arise today
Through the strength of Heaven 

My stories are dissolving, fading out,
like the last scene of a movie
when the landscape goes
out of focus until all is golden light
filling the screen. 

Light of the Sun

My stories are riding into the sunset,
they are getting married, and I am
giving them away,
they are dying in their sleep
of old age.

Radiance of Moon

I am turning
to poetry.

Splendor of Fire

The question has been posed:
Your desert island book?
For me, a very large anthology
of sacred poetry spanning
all times and places.

Speed of Lightning

My back is to St. Francis and my stories
go down with the sun behind him.
I am facing Sister Clare, and even she
has nothing to tell
but Shine.

Swiftness of Wind

All the stories are a trick of mirrors
and light.  Forget the mirror -
who needs it, when you have the source?

Depth of Sea

I have told the story of why
I joined the church,
of the horrors of self-made religion,
wrong-headedness and failure, the need
for cleansing.  Yes.
But this is only the part
that happens in front
of the audience, there is
also the backstage,
the fear of glimpses
of utter reality, absolute freedom
and emptiness, which sitting
in a church soothed for a while.
Four walls, a safe structure,
a place to lick wounds,
a well-lit path at the edge
of a forest that can never stop
inviting.

Stability of Earth

Now
I see the forest and the trees
as I stand among them
with no exposition,
no tale of bread crumbs, bears, or witches
to frighten, console, or instruct,
with in fact nothing
but an endless poem
that both does and does not
need me to get itself heard.

Firmness of Rock

The Body, the Shekhinah, and Father Bill: A 2009 Retrospective

This time last year I was incredibly isolated and just beginning to fully recognize the effects of my black sludge moods on those I love. I had lived in Taos for only a few months, was working at Subway (!) and struggling to survive, was getting my arse kicked by winter, and generally not having a good time of it.

But then I decided to get proactive about my life. I visited with a couple of alternative health practitioners and got some recommendations about how to change my diet and my attitude. I began to embrace my physical being in a way I never had before. I read voraciously anything related to eating, from the health-oriented to the political.  Animal, Vegetable, Miracle by Barbara Kingsolver.  Harvest For Hope by Jane Goodall.  The Art of the Inner Meal:  Eating As A Spiritual Path by Don Altman.  Eat Right 4 Your Type by Peter D'Adamo.  Information about pH balance in the body, about veganism, about Ayurveda, about fasting and cleansing, about the global food crisis, the importance of eating locally produced food.

As I researched and experimented with different ways of eating, I finally found the way that's right for me, and it changed my life profoundly. I learned to listen to my body more deeply and to trust its knowing.  I began to see life as a body adventure, and was amazed to realize how much simply changing my diet changed the way I felt emotionally and spiritually.  It was humbling to realize that all my so-called spiritual methods of dealing with my mood/anger problem paled in its effects compared to just eating differently.

At the same time, I became acquainted with the Shekinah, and true to my peculiar path, she started popping up simply everywhere. The Shekinah, representative of the immanence of the divine in the physical world, was an  absolutely fitting guide as I went about learning to live in harmony with my body. My big epiphany was that mind and body are one - not in the sense of two things united, but of ONE thing manifested as different aspects. Just as the Shekhinah is an aspect of the divine and not a separate thing or person.

This exploration led me deeper into mystical Judaism, something I had already been dabbling in for years. In the Kabbalistic Tree of Life, the Shekhinah is associated with the tenth sephirah, Malkuth, or Kingdom. "She" is the manifestation of Spirit in the physical world.  Suddenly, in the middle of a bleak January, I found myself deeply inspired and energized.

The Kabbalistic Tree of Life

One of the first things that led me into this exploration was a showing of the art of Father William Hart McNichols, an iconographer. The first or second week I lived in Taos, there was an article about him in the Taos News because his show was about to open. He's a Catholic priest who is known worldwide for the icons he paints. The odd thing about this is that the iconography tradition is Orthodox, not Catholic. The other odd thing is that many of his icons are not of traditionally recognized saints. One is of a Buddhist woman, one is of the poet Gerard Manley Hopkins, another is of an Islamic mystic. There's even one of Princess Diana.  If you click on the above links, you can also read his commentary about each icon.

My magic mirror.

The two icons on the left side are by Father Bill 

Father Bill, as he is called, is a wonderful, wise, poetic man. And openly gay. In fact, there is an article in Time magazine in which he discusses this. He's celibate, as a priest vows to be, but admits that his orientation is homosexual.

I rarely visit art shows, but I was determined to see his, and I'm glad I did.

The poster announcing Father Bill's show.

I snagged it from a coffee shop (with the owner's permission.)

Standing before the original icons was so much more powerful than looking at reproductions of them, particularly because of the real gold mixed in with the paint used for the halos.  There was a sheet provided with background information on each of them. One of the icons was called, "The Name of God, Shekhinah" and was simply the Hebrew letters that spell that name. But his commentary on it was what I was really taken with and what set me off on the Shekhinah pilgrimage. He talked about seeing the Shekhinah in the mist that often rests on Taos Mountain, and in the glow of a candle. He talked about the Shekhinah being the feminine Spirit of God.  In Jewish theology, she is the Bride of God, the Sabbath Bride, and women light candles on the Sabbath eve to welcome her in.

I was and am utterly smitten with Father Bill.  (Leave it to me to develop a crush on a gay priest.) I felt a connection to him right from that first article I read, but then kind of forgot about him. Then, one morning during Advent, I just happened to turn on the radio, which I rarely do when I'm home, and he was talking to Nancy Stapp, a wonderful local radio personality.  He was discussing the meaning of Advent, and while I no longer remember exactly what he said, I remember being absolutely calmed and inspired by it, and consistently nodding and saying Yes, exactly, to the radio. And I remember he ended with an ancient Persian prayer to the sun.

A few months later during Lent, I had the same uncanny experience of turning on the radio, and lo, there he was talking to Nancy again, this time about the meaning of Lent.  And he talked about the Shekinah.

Then, in June, I moved into the neighborhood of the St. Francis church and discovered that he is the assistant Priest for that parish.

Other than Christmas Midnight Mass, I've only been to mass there once, and he just happened to be preaching that day. And what he preached about was Sophia, the feminine personification of wisdom, often associated with the Shekhinah. He also talked about the tendency of religious people to be judgmental and stingy with their acceptance and forgiveness of others, to segregate and create an us versus them mentality.  He told the congregation to go home and look up the word "catholic." Which, of course, I eagerly did. Here's what I found:

1. broad or wide-ranging in tastes, interests, or the like; having sympathies with all; broad-minded, liberal
2. universal in extent; involving all; of interest to all.
3. pertaining to the whole Christian body or church.

Father Bill is a shining example of this kind of catholicity.  And while we've never met, he was a profound influence on my growth over the past year, a journey which continues to bloom in unexpected and strangely harmonic ways, as you'll see in my next post.

But in the meantime, I'm curious - where were you a year ago?  How has your life changed over the past year?

The Epiphany Chronicles IV: The Intolerable Shirt of Flame

Morning of January 11

If you came this way,

Taking any route, starting from anywhere,

At any time or at any season,

It would always be the same: you would have to put off

Sense and notion. You are not here to verify,

Instruct yourself, or inform curiosity

Or carry report. You are here to kneel

Where prayer has been valid. And prayer is more

Than an order of words, the conscious occupation

Of the praying mind, or the sound of the voice praying.

Who then devised the torment? Love.

Love is the unfamiliar Name

Behind the hands that wove

The intolerable shirt of flame

Which human power cannot remove.

We only live, only suspire

Consumed by either fire or fire.

~T.S. Eliot, “Little Gidding”

After much deliberation about the meaning of "integrity," and with Justin's permission, I've decided to go ahead and post this.  Because things are what they are, and the integrity of these chronicles requires it for completion.  And because I truly think of you as my friends.

Fact is, as they say, stranger than fiction.  In the biggest unexpected twist of these chronicles, especially since they were already mostly written when this happened, I experienced the following.

I went early to bring my beloved his mail from the box we share, and discovered him with another woman.  Please bear in mind that we live apart and with no commitment to monogamy.  But still.  I was devastated.

This was the day I started to run.

I returned to my house after this shocking epiphany, shaken to the core, physically vibrating. And said to myself, I'm done.

I'm done.

I'm done.

I fired the censor and wrote every outrage of my incensed heart, and it was not the black sludge, it was the guileless child incarnate at last, that neglected stranger welcomed in.

It's done.

I'm done.

And then I said to myself and to God:  Now what? What do I do with myself? I was still physically shaking. There was no way I could work like this or go pay bills or eat breakfast.

I had been thinking the night before that I'd like to start running. I had mentally plotted my course to and around the St. Francis church and then home a different way. Just like the Wise Men.

I've been reading The Way of the Beloved, and one of the recommended exercises for generating more love is to practice being grateful for “negative” things, to find something in them to be grateful for.

I am grateful for this heartbreaking epiphany because it impelled me to start running.

I walked down the street a bit, then broke into a run, crossed the board over the acequia into the little grove, through the grove, next to the graffittied adobe ruins, into the church parking lot. Something was going on at the church. A funeral. How fitting.

I ran a circle around the church, the hands of the saints reaching out to caress me through the adobe in which they forever live, back through the grove, stopped at a tree to stretch. My mind was graciously blank. The shaking was no longer trapped inside, but suspiring through my flesh.

Back out to the street, past my house, through the post office parking lot. I slowed to a walk down the highway, ran back into the church lot from this different direction. Around the courtyard again. Clare. Oh Clare, please pray for me. Mother of God, pray for me. Mama. And I'm not even Catholic. But it felt right and was medicine.

This running, this writing, are prayer and liberation.

Even in failure,

even in fear,

even in sorrow,

I have and am

- am because I have -

everything I need. 

The light shines

in the darkness,

and the darkness

has not,

will not,

can not

overcome it.

I have and am

my whole

light in the darkness

self.

Thank you.

Of Messes, Masses, and Ships

Christmas this year, like every year, was messy. But it's a mess I'm learning to surrender to. In the imperfect and often sloppy, can be beauty and joy.

We made a mess of gingerbread cookies early in the season. They didn't look like the cookies in the Christmas books, but they were fun to make and eat. Even my 16-year-old's ubercool boyfriend helped.

One of my goals this year was to make a photo calendar for the relatives, but with the messiness of end-of-semester insanity at the same time as Christmas preparations, it didn't happen. I kept trying to get everyone in the same place at the same time to take one good family photo with a Christmas theme for the December page. The day when I finally managed to gather everyone, Eliana was tired and fussy. After about thirty (wasted) shots, these were the only two that came out anywhere near presentable.

But by the time I actually got these on my computer, there wasn't enough time to get the calendar out by Christmas and I was swamped with other things, so the project was abandoned. Oh well, maybe next year.

Because June Amber had to work on Christmas Day, we decided to have our big dinner on Christmas Eve. But I also knew that my beloved's mother was coming to town on or shortly after Christmas Day, so I bought a prime rib and a turkey. Well, actually, two turkeys, since it was buy one, get one free. We had the prime rib Christmas Eve.

In case you're not familiar with the paper crowns, they come out of Christmas "crackers," which are sort of like toilet paper tubes wrapped in shiny paper of various colors. (You can see a silver one in the above photo.) Everyone at the table holds an end of one with one hand and an end of another with the other hand, so that a chain is formed around the table. Then everybody pulls and they make a terrific popping sound as they come apart. The contents of the tube - which consist of the paper crown, a really bad joke on a small piece of paper, and some small plastic item like a whistle or a tiny yo-yo - then go flying everywhere.

It is mandatory to wear the paper crowns throughout dinner and to tell the lousy jokes. The weirdest joke this year was "What do you get when you cross a cow, a sheep, and a goat? A milky baa kid." If anyone at all gets this, please explain it to my unenlightened family. Poor Justin was quite disturbed and spent most of dinner trying to figure it out.

For dessert we had my famous eggnog cheesecake.

The Bourbon Fruitcake I made is behind the candle, but you don't want to see it, I promise. The whole top of it stuck in the pan, so it's, well, messy-looking.

I had been making a very conscious effort to "go with the flow" this Christmas, and not be attached to things happening a certain way, but the one thing I really was determined to do was walk to Midnight Mass at the San Francisco church. However, by 11:15, having just finished dessert a half hour before, and Eliana still up and cranky, the exhaustion set in and I began the process of talking myself out of it. I put Eliana to bed and was reading her stories when I heard the church bells begin to ring. I squelched the yearning that arose and went back to reading about the Christmas mice who get a present of cheese from the cat. Just then, Justin came into Eliana's room and said he'd take over so I could go. I hedged, but he looked me tenderly in the eye and said, "The bells are calling you."

This was my second time attending Midnight Mass here, but my first since I moved into the neighborhood. There was something liberating and exciting about walking over there by myself late at night. I used to attend Midnight Mass at a cathedral in Baton Rouge, and this one is so different. The cathedral mass was decidedly "high church" with the Gregorian-type music and much solemnity. In this mass all the songs were in Spanish and accompanied by a single acoustic guitar and a mediocre lead singer. The combination of this with the traditional Catholic incense and liturgy gives it a strange combination of high church and low. And then the priest is Scottish. I can't begin to explain the incongruity of the Spanish music and the Scottish brogue, but it works, and is lovely, and somehow holy spaces are created in the disparities.

After the mass, we all walked out through the courtyard, which was lined with luminarias. The statue of St. Clare was circled by them. In the parking lot was a series of small bonfires, and people were standing around them wishing each other a Merry Christmas. I walked home at peace with the world, my heart full of love, pondering the pettiness that often holds that love back. Earlier in the evening, when I was preparing to serve dessert, I had a moment of self-pity because everyone had disappeared and left me to do the dishes, and now here I was serving an elaborate dessert, and no one seemed to even care enough to be there. Unfortunately, I dumped this negativity onto Justin (who was the only one who WAS there), effectively pushing him away for the rest of the evening. As I thought of this, I resolved to be more magnanimous and selfless with those I love.

The house was quiet and dark. When I entered my bedroom, I was greeted by an overpowering scent of essential oils and the sight of Justin and Eliana sprawled out asleep on the bed. Apparently, they had somehow migrated from her room and he had fallen asleep before her, because she had gotten into my essential oils and poured out the entire bottle of cypress and most of the ylang-ylang. She also had found and torn open the little gift I had carefully and beautifully wrapped for Justin earlier and had planned on giving him after Mass.

I felt devastated and angry with Justin for allowing her to do this. All that waste of time and energy and money and scent. But I firmly turned my heart back to what I'd been feeling before I walked into the room, and heroically refrained from losing it. However, in the middle of the night, Eliana woke up and was fussy, and in my sleepy haze, I was grumpy and said something mean to Justin. The next morning, I knew he was hurt and I regretted my harsh words. We avoided talking about it though, putting our personal mess aside to engage in the glorious mess of opening presents.

Later, however, I was sad and discouraged that it's so hard to be kind and loving, and that often when it feels like Justin and I are getting closer, I succumb to a negative emotion and express it in a way that drives him away. Sometimes I feel like a failure, and it's so frustrating to fall into the same stupid mindless destructive habits when I've resolved to change them. At times like that, it just feels overwhelming, and it's hard for me to get back to the perspective that it's a work in progress, a practice, and there will be failures but that's ok. Consequently, I spent most of Christmas afternoon in tears, feeling like I'd "ruined" everything (a lifelong issue for me). Why do I waste so much time making mistakes?

But somehow this emotional spilling was also cleansing. That night, Justin made an awesome stew with the prime rib leftovers and we had a cozy and satisfying evening, lazing about in the messy living room watching the movie, Elf.

So my lesson this Christmas, my big epiphany, is as follows. There are basically three things you can do with the ongoing wastefulness and messiness of life:

1. Spend most of your time and energy focused on cleaning up messes and regretting making them.
2. Ignore them.
3. Transform them into something beautiful by perceiving and attending to the beauty that's already in them.
   

The first one is the default state for me. Or, more accurately, it's the default state I tend to think I "should" be in. In reality, the second one is equally my default state; I tend to go back and forth between the two. Which is why my house is usually either completely messy or spotless.

I've been reading Karen Armstrong's memoir, The Spiral Staircase, which I won't summarize here, but there is a scene in that book that is relevant to this discussion. After having lived a life of rigid order and discipline, Armstrong goes to board at the house of a family who are very loose and somewhat radically liberal in their lifestyle. She describes the house as being a complete mess, utterly disordered, but she finds this liberating. She says the state of this house reflected "a cheerful disregard for appearances."

In church this past Sunday, the pastor said something about how God doesn't care about how we look on the outside, and I thought of Armstrong's expression. Could it be that God, too, has a cheerful disregard for appearances? The scripture related to the pastor's comment was from Colossians 3, when Paul advises in verse 12 to "clothe yourselves with compassion, kindness, humility, gentleness and patience." The point is that these are the qualities that give order and peace to our lives, not outward appearances.

When I apply all this to the messiness of relationships, it helps me to remind myself that although there will be mess and waste, these are just "appearances" as long as the qualities listed above are the ongoing focus and goal. Is wrapping paper "wasted" because it's tossed aside to reveal the gift? Was it a waste of time to make all those gingerbread cookies because they were gone in an hour? To take all those "useless" family photos? Was Christmas afternoon wasted because I spent it crying? The answer is No to all of these, if I cheerfully disregard the appearances of waste and focus instead on the spiritual qualities that were shared or expressed or taught.

The third method of dealing with messes and waste came clear to me a couple of days after Christmas, when we went out to visit Justin's mom and her boyfriend at the Earthship they booked for their stay in Taos. (If you're unfamiliar with Earthships, click here.) The basic premise of an Earthship is that they are houses made from as many recycled materials as possible and designed to be extremely energy efficient and sustainable, entirely off the grid.

Linda and Bob stayed in the Phoenix Earthship which has a jungle behind the living room, where banana trees, flowers, and even vegetables are grown.

The walls are constructed with tires, and old glass bottles are used to decorate and filter light through walls.

I'd heard a lot about Earthships, since I live in Taos and the first Earthship community was here, but I'd never been inside one, and was stunned by the beauty and attention to detail.

I tell you, it was just like being in Rivendell. Imagine being in a house where everything feels handmade by a master artisan. That's a TV screen above the fireplace/waterfall.

There was even a strange spiral staircase, and I could see my reflection on its walls.

To take what appears to be waste and turn it into something like this Earthship is downright inspiring. It gives me hope that what is wasted can be redeemed and messes can be transformed into beauty and order. And when it comes to relationships, this experience has given me a new guiding metaphor. Instead of regretting or ignoring their messiness, I can work on turning them into Earthships.