Mother and Child

*I've been told this didn't post right the first time, so I'm trying it again.  If you've already read it, sorry for the repeat.*


I'm not just the innocent that needs protecting, I'm the compassionate mother who weaves and wraps the blanket. I'm the child who is healing and the resurrected woman both.

That's one of the conclusions I came to in my Recovery post last Sunday. (Achtung: If you haven't read that post, this one is not going to make much sense.) This insight, while connected to the bat orphans, the Raccoon card, and the Inanna story I spoke of in that post, comes most deeply and directly out of these images from my 2011 collage:

This one is at the very top center of the collage.

  

This one is at the very bottom center.

When I chose the top image, it was because she was green and pretty; I felt drawn to her for no articulated reason.  I chose the little girl at the bottom because she exuded innocence to me, she represented the return to childhood that I have been experiencing in various ways and want to continue nurturing.  And she was pretty.  I put her on the green apple because I'd already chosen the apple image (because it was green, and represented abundance) and needed somewhere to put it; they just fit well together.

It wasn't until a few days later that I thought to do some research on the top image.  The little book I got her out of, A Gift of Happiness, had the picture labeled as Green Tara, but I didn't know anything about her at all.  So I Googled her and found out some wonderful things, which I printed out in green ink, put in a green folder, and read through, underlining things that particularly interested me.  What really caught my attention at that time was that she is known as "the Mother of Liberation," "the Mother of Mercy and Compassion," and she represents enlightened action.  And it struck me how perfect it was that the mother is at the top of the collage and the child at the bottom, and that both images represent aspects of myself.

After the protection and fierceness themes came up, I went back and read my folder about Green Tara again, and lo and behold, this is what I read; it didn't really register the first time:

During our spiritual growth we need to turn to our Holy Mother, Tara, for refuge.  She protects us from all internal and external dangers (http://kadampa.org/en/buddhism/tara-puja/)

Tara is a female Buddha, and Green is only one of her 21 manifestations, but is also the most popular.   According to my source, "she is the fiercer form of Tara."  In other words, she is fierce compassion, fierce blessing, fierce protection.

Wow.

Buddhism is not a religion of deity worship.  It's more like a system of spiritual practices, although I'm no expert.  But the existence of Tara goes back way far in both Hinduism and Buddhism, and it seems that she is primarily related to as a meditation deity.  There is a mantra associated with her:  om tare tuttare ture svaha, the reciting of which is said to "untangle knots of psychic energy," among other things.

According to Wikipedia, the Tara practice consists of meditating on the visual image of her in order to incorporate her qualities; in this sense she becomes an "indwelling deity," which is the same idea behind all good Christianity.  But Buddhism takes it a step further, because by practicing this as a disciplined meditation, the practitioner eventually comes to see that Tara has "as much reality as any other phenomena apprehended through the mind."  The result is "the realization of Ultimate Truth as a vast display of Emptiness and Luminosity" because "one dissolves the created deity form and at the same time also realizes how much of what we call the "self" is a creation of the mind, and has no long term substantial inherent existence."

All of this makes wonderful paradoxical mysterious sense to me, because as soon as I knew she was the compassionate protective Mother, I began imagining a story about her and the Child of my collage.  The Child knows she is protected: she doesn't have to look up to make sure the Mother's still there.  She is protected by her innocence and trust.  She knows she is safe and loved, and so she is going about her business, making her daisy chain, her creative offering.  She is aware of all that is around her and yet completely focused on her task.  The Child IS the "enlightened action" Green Tara gives birth and form to.

The Child's face is hidden, yet her essence is not.  We see the Mother's face instead, the Child's source.  We see what the Child is doing, which is playful, beautiful, and innocent, and is made possible by the Mother's protection.

In my Recovery post, I used the metaphor of a blanket for maintaining warmth, but the Mother and Child in my collage are warm without a blanket; the Mother is in fact partially naked.  This points to the time when the blanket will no longer be necessary, when the Sun itself will be my warmth.  But now it is winter, and I will continue to wrap myself close for the time being.

Which brings me to Brigid, whose holiday, Imbolc, is February 1 and/or 2, depending on your source.  She is connected with fire and water, poetry, and healing.  She is another fierce Mother, and is a goddess (or saint if you'd rather) who I've felt connected to for a long time.

One of the traditions associated with celebrating Imbolc is to make a pledge for the coming year.  Because her day affirms the promise of spring to come, the planting of seeds is a symbolic sealing of the pledge.  But because this day also marks mid-winter, the blessing and lighting of candles is part of it too.  To me, this recognizes that there is a season and movement to everything - a time to bundle up and withdraw and a time to dance naked in the sun, so to speak.

When I lit my room with many candles on Imbolc night and meditated on what my pledge would be, I sat before my collage until it became clear.  In choosing "bless" as my word for the year, I had only thought in terms of giving blessing - blessing as enlightened action, I suppose - but in gazing at the Mother and Child, I suddenly understood that it must also be about opening to receive, gratefully, the blessings of my life.  And so the pledge I made is to both give and receive Life's blessings.  

The Mother blesses the Child and the Child blesses the Mother; they dissolve into one another, into pure Being.    

Peeling the Orange: Top Half

It makes sense, I suppose, that in January, the deepest month of housebound winter, I would have the richest inner life.  This is the second January in a row that incredible inspiration and interlacing have sent me on a mysterious yet practical journey.

It all started the day I did my Epiphany house blessing.  Remember how I used a colored pencil because I didn't have any chalk?  Do you remember what color it was?  That's right, it was orange.  Why orange?  I didn't choose it for its significance, but mainly because it was the first light-colored pencil I came across.  Then later that day I found a poem that I wanted to print out and put on my wall for the year.  The only paper I had was bright orange, left over from a multi-colored pack I got a long time ago.  That was when I started thinking Hmmm.  Is this going to be an orange year? 

By now you know me well enough to see where this is headed.  Orange.  A color I've never thought much about, and all of a sudden, I'm surrounded by it.  I don't understand what it is about the blogosphere that seems to mystically corral themes into these little bays that I unsuspectingly swim into, but I like it.  And speaking of the blogosphere, it has not escaped my attention that Blogger's primary color is orange.  The combination of this with the orange pencil and paper immediately put it into mind that orange is my color for writing.

When I was homeschooling my oldest daughters, my very favorite thing to do was design unit studies.  There's just something about taking a theme and running with it, following where it leads, that satisfies me like nothing else.  But this is my first time with a color.  And what a journey it's been so far.  I can't even include all the places it's taken me, it's just too much.  And while it's fascinating to me, I doubt all of it would be to you.  Check out this clustering exercise I did with it though, and you'll get a sense of what I mean (you might even see your own name in this):

It's actually quite fitting that I did this, because clustering is a method of connecting and also dividing themes, and one of the main things I've realized about the meaning of the color orange is that it both divides and connects.

One of the most obvious ways that orange divides is in the lines down the middle of the road.  A more symbolic way that was brought to my attention recently was in a post at Diamonds in the Sky With Lucy, in which she described an experience of visiting with "prisoners in orange jump suits, some angry and entitled – others grateful to be alive and willing to transform one day at a time – some both. The only thing separating them and me is the color of their suit." Interestingly, this observation on Lucy's part indicates that she ultimately found a way to connect with the prisoners.

I've already mentioned writing, which is a major way of connecting for me, and also Blogger's prevalence of orange.  The Internet in general seems to favor orange, and of course, is a very popular tool for connecting with others these days. Another example of orange's connectivity would be school buses, which connect students with the school.  Orange is a major color of transportation (a form of connecting us to places) in general, is it not? 

Which brings up Eryl at The Kitchen Bitch Ponders, who posted about her recent experience of being on morphine in the hospital and finding herself in an "orange wind tunnel."  Another kind of transportation altogether.  I'll come back to this in my next post.

After reading Lucy's and Eryl's posts, the orange thing moved more to the forefront of my conscious contemplation.  And then I happened to read Life of Pi, a book which I spontaneously picked off my shelf one day, knowing nothing about it except that it was supposed to be really good, and guess what?  It's about a guy stuck with an orange tiger on a lifeboat full of orange things.  The narrator (who is Hindu, Christian, and Muslim) discusses this:

It seems orange--such a nice Hindu color--is the color of survival because the whole inside of the boat and the tarpaulin and the life jackets and the lifebuoy and the oars and most every other significant object aboard was orange.  Even the plastic, beadless whistles were orange.

Oh boy.  I could gleefully (and I think orange is the color of glee) write a whole paper about the symbolism of orange in this incredible novel.  But for our purposes, I will just point out that the presence of these orange objects on the boat (with the exception of the tiger) is for the sole aim of connecting the survivor(s) with a rescuer.  Also, and this does play into the novel quite a bit, a lifeboat can be a kind of prison, meaning that the function of the orange objects is the survivor's liberation.

One direction this novel brought me was toward tigers.  We are actually about to enter the Chinese Year of the Tiger, which gives me pause.  I thought about one of my favorite paintings of Father Bill:

Long story short, Sadhu Sundar Singh was an Indian Sikh who, at fifteen, had a profound vision of Jesus after having previously violently persecuted Christians. He immediately converted to Christianity and then spent the rest of his life talking passionately and poetically about Christ to anyone who would listen.  He also wrote, mostly parables.  His life was marked by strange and mystical occurrences, some of which are documented and some which are considered legend.  This painting depicts what Father Bill referred to as Singh's mystical meeting with the tiger.  Singh often used the tiger as a symbol of the violence and primal voraciousness in human nature.

Tigers are symbols of many things, but one of the most obvious is danger.  The association of orange with danger is also widespread.  Let's not forget about Agent Orange or the Orange Order in Northern Ireland.  Orange may be the color of survival, but it's also a color of war, violence, and even death.  It's the primary color of Halloween, after all. 

Orange is therefore also the color of fear, but this can, with a different perspective, be translated into alertness, noticing.  Which brings me back to the orange on the lifeboat.  In order to connect the survivor with a rescuer, attention must be drawn to the survivor's vehicle.  This is also the purpose of the many orange signs and symbols that exist on the road.  Pay attention, approach with caution.  (Interestingly, the orange traffic light - I'm sorry, it is NOT yellow - not only signifies caution, but it divides - connects? - the stop and the go.  It asks you to decide which you're going to do.  Will you speed up or come to a halt?) 

Another way of expressing alertness is wakefulness.  And isn't there something in us that associates orange with mornings, when the orange sun comes up and we drink our orange juice?  Then consider the color of a Buddhist monk's robe, garb which signifies a life of dedication to spiritual awakening.

So, putting aside the more personal and tangential directions I've taken this, let's review for a moment:  Orange (so far) symbolically relates to:

• connection/division
• imprisonment/freedom
• danger/safety
  
• survival/death
  
• transportation (movement/stopping)
• fear/wakefulness
  

I have no grand summary of Ultimate Meaning here, but it's been a boatload of fun playing with these ideas and images.  I'm beginning to think that orange is the color of synchronicity/serendipity/interlacing.

This journey actually has led me to some very practical applications, but I don't want to take you there just yet.  Because, let's face it:  orange, maybe more than anything else, is silly.  I mean, Tigger's orange, as my son pointed out.

And speaking of silly, here's one of my all-time favorite jokes:
Q:  What does an orange cone on the side of the road mean?
A:  "Psychedelic witch embedded in asphalt."

I'll leave you with this, which I dedicate to Dan Gurney, who reintroduced the poetic Tanka form to me recently:

Lines Written on the Hem

of a Buddhist Monk's Robe

Just because we know

that orange rhymes with nothing,

denotates two ways,
segments and defines the road;
orange is a sweet koan.

Me in my orange bandanna.
I'm counting Tanka syllables.

Treasures of Darkness: Part I

 

Blackbird fly

into the light of the dark black night.

~ The Beatles

I will give you the treasures of darkness

and riches hidden in secret places.

~Isaiah 45:3

My new friend Rebecca  recently posted here about her experience with viewing media violence and realizing that it can be debilitating for her.  A rather intense discussion ensued in which I admitted that I think violence is built in to human nature and that we may have a need for the kind of catharsis that watching violence can provide.  We used to throw people to the lions or attend lynchings or witch burnings, but now we witness violence through movies and TV.

As I confess these thoughts, I feel now, as I did when I said them on Rebecca's blog, diffident and almost ashamed.  In the spiritual circles that I primarily move, both in my church life and in the blogosphere, there is a definite emphasis on non-violence and pacifism.  It's interesting that Christians, as portrayed more often than not in the media, are associated with the extreme right and pro-war, but in liberal churches, which tend to be much quieter and therefore less visible than fundamentalist ones, there is often an equally extreme pacifism.  This puts them closer in some ways to Buddhism than to other branches of Christianity.

It's interesting to me that those who are anti-war also tend to be pro-choice, as abortion is undeniably a violent act.  Equally interesting is that those who are pro-life tend to be anti-environment:  It's not ok to end the life of a fetus but it's ok to end the life of the planet.  What I see in this is that inconsistency is a human trait, and extreme positions tend to create hypocrisy.  This is why I'm skeptical of extremes and "isms," whether they take the form of fundamentalism or pacifism or judgmentalism.  And for me, being "anti" something is not the way to make good things happen.

I seem to have been born with a natural tendency to see more than one side of an issue.  Any time there's a lot of alarmist hype about something, I'm automatically interested in hearing what the other side has to say.  You may say I'm a devil's advocate, but it's not just for the sake of being ornery.  As I've mentioned before on my blog, I try to live by the poet Keats' concept of Negative Capability:  "The ability to rest in mysteries, uncertainties, and doubts, without any irritable reaching after fact or reason."  One aspect of this is to resist "dividing things up and taking sides," as author Tom Robbins once put it.

But the fact is, most things are divided up, because that's what we humans tend to do.  Dualistic thinking is so pervasive it's almost impossible to imagine life without it.  Many ancient cultures were not like this.  However, dualistic thinking is a mode that once introduced cannot be undone.  You can't unscramble the egg.  But what you can do is contemplate images and concepts of the whole egg, as it is in perfection, in its "virgin" state, in its entire process from conception to being eaten, in the results and effects of this process.

My point is that I find value in contemplating violence.  When things are divided up  I need to look at as many sides as I can and balance them, try not to be attached to one way, in order to get back to that place of mystery.  I'm reminded of something Clive Barker, who is known primarily as a "horror" writer, says: "Look at what you should not look at. A feeling of anxiety is the sure and certain evidence that you should do this."

One of my favorite movies is Barker's Candyman.  This movie definitely falls into the horror genre, replete with gore and terror, but there is intelligence and substance to the story.  The ending is actually quite redemptive and moving; my ex-husband and I both cried when we saw it in the theater.

The character of the Candyman, whose existence is the subject of an urban legend, is fascinating in his blend of human and mythical qualities, a common construction in Barker's work.  At one point  Candyman says,  "I am the writing on the wall, the whisper in the classroom.  Without these things, I am nothing."  He sees his role as essential to the people who have created him by believing in him: "What do the good know except what the bad teach them by their excesses?"  While I don't completely agree with the rigid logic of this, I do find it a worthy question to explore, which is one of the many reasons I appreciate this movie.      

And yet, Candyman is one of the few horror movies I've ever seen.  I tend to avoid them because I resonate deeply with Rebecca's statement about being debilitated by watching certain things.  There is a need for discernment.

I feel that my whole life, from adolescence on, has been a project in learning to walk the line between unconditional openness and the setting and maintaining of useful boundaries.  There was a time in my late teens and early twenties when I tried to stay completely open to anything that crossed my path.  While many interesting experiences occurred this way, the overall effect was that I scared myself silly, ultimately to the point of near-paralysis.

So I'm not going to go picking up hitchhikers at night on the dark side of town, as I once did.  But I will still look as deeply into violence and other dark things as I can without debilitating myself, and ask difficult questions.  I will be exploring these questions and issues further in my next post.

The Other Shoe Has Been Placed Gently On The Floor

I've been thinking a lot about the stories we tell ourselves.  One of the reasons I claim Christianity as my primary discipline and path is because it is steeped in narrative, and I believe humans need stories we can live inside as much as we need water and air.  Yet what attracts me to Buddhism is its focus on dropping judgment and being ultimately present in the now, which implies letting stories go.

I used to be very sure of the truth of the stories I told myself.  There was a time when I didn't even realize that's what I was doing, but just blindly accepted, without any hint of a question, that the things I believed were fact.

Nothing will slap you out of that illusion faster than a truly intimate relationship.

I won't bore you with all the details of my evolution, but I will say that where I find myself now, in my current relationship with my beloved, is that I hold different stories at different times, depending on my state of mind and heart.  This has been very confusing to me:  Which story is true?

Is it the one where I'm the evil queen holding the beautiful bird captive for my own narcissistic pleasure?  Is it the one where I'm the innocent princess being rescued by a knight in shining armor - or an innocent princess being tricked by a monster dressed up like a knight?  Or the one where we're both lost children trying to find our way out of the forest?  It goes on like this ad nauseum, and the only times I even think in these terms is when I'm feeling fearful and negative, so all the stories are - guess what? - fearful and negative.  The truth is, there's a little of all of them in my relationship, but what this relationship is defined by is a deep and abiding love and commitment to mutual growth.  What more could I ask for?

The story that I choose to put my energy of belief into is the one that's going to define how the relationship plays out.  But then again, how much control do I really have?

What if I choose the most beautiful story I can imagine might be true and I still get screwed?

It's these very questions I was contemplating when I came across one of Kate's recent posts at New Life.  She makes a reference to the expression "waiting for the other shoe to drop," about how happiness always seems tainted by latent dread of it ending.

In pondering that, I thought about The Sententious Vaunter's post, a hodgepodge of cool stuff, which includes a fairly simple recipe for happiness:  Deliberately choose things to be around you that you enjoy, and then enjoy them.  This way of happiness, however, also depends on not waiting for that shoe.  Enjoyment without attachment.

I started wondering where this shoe-dropping expression came from.  So I looked it up.

Apparently it came from some vaudeville act involving a guy coming home to his upstairs apartment late at night and taking off his shoes. He drops the first one and realizes it's pretty loud, so he places the other one gently on the floor.

Eventually the guy downstairs shouts, "Would you hurry up and drop the other one so I can stop waiting for it and go back to sleep?"

What if we could just assume that the shoe is already on the floor?  How could it do anything but make life better?  Duh.  So I've resolved to let myself believe the story that my deepest heart is already writing.  Because there's really nothing to lose.  Except fearful projections.

I've been deeply studying a book called Dreaming the Council Ways for over a year.  In the chapter I'm reading now, the author, Ohky Simine Forest, talks about how we attract what we fear, and the power of being decided.   This is where I'm coming from with all of this.  The point is not to attach to yet another illusion and live in wishful thinking, but to be decided about how I'm going narrate and interpret my story.  To let there be one author with a singular vision, instead of passing the pen around to a host of writers who aren't even sure what they have to say.

I was just talking to my very wise twelve-year-old son about this post, and he said, "What if the shoes were stilettos?"  And then, "What if you got so used to that guy coming in and dropping his shoes that you couldn't go to sleep without it?"

Yes.  So.  If you've got to wait for it - at least picture an elegant stiletto.

The School of Joy

According to many Native traditions, hummingbird medicine encompasses joy, which my recent experiences confirm.  The best part is that I've realized I can access joy whenever I want.  Actually, I've discovered this then almost immediately lost it several times in my life, but it's finally sinking in.  The first time was at a party when I was in college.  I was utterly miserable, had partaken of at least two mood-altering substances that seemed to sort of cancel each other out, and was frozen to a couch in sensory and emotional overload.  All I could do was watch everyone having a good time and feel incredibly self-conscious, even though no one was looking at me.  Then I suddenly noticed that underneath all that angst and anxiety was a feeling of pure joy that I could listen to instead of the clamoring of critical voices in my head.  The ability to do this only lasted moments, but it was enough to make an impression, one that I've returned to over and over.

The next significant milestone in this lifelong lesson was when I was about ten years into a miserable marriage, and kept praying for relief.  I wanted God to either change my husband, take away my pain, or show me a way out of the marriage.  This one particular day, I was balled up on the floor, wretched, emotionally starved.  I felt like an empty cold bathtub.  I kept praying the same tired prayer to be taken out of the pain.  Something shifted; I stopped desperately straining to look up and out, and found myself embraced from the inside.  The pain was still there; in fact, it was intensified in a way, but I relaxed into it, stopped desperately treading water and floated, and discovered that there was a gentle warm current of comfort just right there, in the center of the suffering.

What's happening lately is not as dramatic as all that, but that's why it's more effective I think.  Joining with that current is just becoming habit.  A few months ago I read this little book by Pema Chodron:

The subject of the book is Tonglen practice, which is a very simple discipline of breathing in the bad and breathing out the good:  embracing all your angst and anxiety and then breathing out peace.  It was nice to discover that my experiences in this realm have a basis in Buddhist teachings.  Reading about this practice there in a book, put so simply, I was surprised and confirmed.  It struck me as such a reversal of pop spirituality, where you're taught to breathe out the negative and take in the good.  In this sense, Tonglen seems very Christian to me.  It's what Jesus would do.   In fact, it's essentially what he was getting at when he told the Pharisees that it's not what you take into the body that makes you sick, it's what you put out.  And then the whole taking-on-the-sins-of-world thing - well, I don't suppose that requires much explanation.

So I've been doing this Tonglen practice.  Badly, irregularly.  But it works anyway.  And ever since I started seeing and contemplating hummingbirds, I've been hearing this little voice in me that tells me daily that I'm happy.  Not the whole livelong day.  Not yet and maybe never.  But it's enough.  There have been numerous occasions when I could have followed my lethal mind down its dark familiar rabbit hole, but instead I listened to the hummingbird voice, the whirring hum of iridescent wings, erasing my scrawling brain like a whiteboard.  And dare I say it - this way of being is becoming second nature.