A Purple Passage

One of the things I discovered in my research about the color purple is that a paragraph containing "ornate and flowery language" is called a "purple passage."  Metaphorically speaking, that's a good way to describe how 2012 has been for me.  Also, this year has been a major rite of passage, resulting in discovery of what a new friend of mine calls the "heart treasure," that one still point of purpose that, once discovered, turns everything else in one's life to serve it.

During the time of planning my brother's memorial, I happened to see an ad in a magazine for the Celebrant Foundation & Institute, which trains people to become professional Life-Cycle Celebrants - people who create and perform ceremonies with and for people.  I immediately knew this was for me, and I entered that funny process of coming to decide something that you've actually already decided.

At the time, I had just started working toward building my new business as a personal historian, and I questioned the wisdom of aborting that in midstream and starting another new thing.  But the rightness was so apparent to me that I took the leap of faith and signed up for the training (which I'm now in the middle of). 

The thing is, I knew I had found my true calling, and so many things that had happened in recent months all worked together to form one big twinkling, neon arrow pointing to celebrancy.  It started with writing about wedding officiants and realizing the importance of celebrations of milestones.  But the biggest thing was leading my brother's memorial.  It felt totally right to me, and many people who attended, most of whom I didn't know, gave me very positive feedback; a couple of them even leaned in and whispered, "I want you to do my funeral."  I know it may sound strange, but I am so intensely grateful to my brother for this gift.

I have always felt drawn toward ritual and ceremony.  I've even considered going to seminary; and now, in the Celebrant Institute, I've found my tribe, my place.  I'm amazed at how this vocation will draw on all my passions and talents.  I'm so used to having multiple jobs, but for the first time in my life I see the various side paths all merging into one.  And since focus on the client's personal story as a "hero's journey" is one of the hallmarks that makes a Life-Cycle Celebrant different from other kinds of officiants, the personal history business is also simply being absorbed into this profession. 

All the bells in my heart are ringing in one accord.  Hallelujah.

Money-Time

My green year is winding down, and in this last portion of it, I have turned my attention toward the last green-related item I wanted to work with this year:  money.

Money has always been a bit of a bugbear for me.  When I was a teenager I rejected my comfortable middle-class upbringing and decided I was "anti-materialistic," i.e., anti-money.

I got over that quite some time ago, but the truth is that I've never been good with money.  It tends to slip through my fingers alarmingly quickly, and my overall financial life has been very much feast or famine, and utterly chaotic. 

So I've been working with a book called The Energy of Money, by Maria Nemeth, which approaches money from a spiritual viewpoint and guides you through a series of exercises to help you become conscious of and heal your relationship with money.

I'm still stuck on Chapter One, in which you are supposed to write your money autobiography.  She provides a whole long list of thought-provoking questions to help the process.  I shouldn't say I'm stuck, really, because even though I'm moving through this process very slowly, I AM doing it.  It's eye-opening to say the least, and so I'm taking the time to really process what I'm writing.

One thing I've realized lately is that as I've been with money, so I've also been with time:  confused about where it all goes.  Which, of course, brings to mind that saying, Time is money.  I never really understood what that meant, primarily because both time and money were such abstract concepts to me that I couldn't really comprehend either of them on a practical level.

But I get it now; it means that money comes to you for time spent earning it.  Duh.  Conventional wisdom might see this as a one-to-one correspondence:  If I work so many hours, I will get so much pay.  If I have a "bad" job, the pay will be low and if I have a "good" job the pay will be high.  But frankly, I think it sucks either way, and I believe it can be different.  In fact, I know it can.  There's a sort of momentum that can be created around money that brings a greater and greater return with fewer and fewer hours.  I've seen it in people I've written about for my Taos News column, Innovators & Entrepreneurs, and I also just know it intuitively.

Recently I was browsing at one of my favorite websites, mythinglinks.org, and I came across a very interesting  page about money.  The author of the site, Kathleen Jenks, laments that in terms of earning a living, "it's been unsettling to face the fact that I've lived most of this lifetime feeling like a racehorse hitched to a plow."

Reading this really bummed me out, because I can relate.  I also recently interviewed a woman for my column whose work life as a freelance writer and a teacher parallels mine.  But she just started an online business (her website is journalsandnotepads.com), and she talked about how different this is from freelancing, where you're selling your TIME.

That conversation got me thinking about starting my own online business, but that's a story for another day.  The significance for this discussion is that it was yet another pointer to my need to focus on my relationships with time and money.  I began to think that perhaps a budget would not be such a bad thing after all.  And while I've always been okay with schedules, I haven't been disciplined enough about them when I'm working at home on "my own" time.  So I decided that thinking of a schedule as a sort of time-budget might be a better idea - to trick myself into sticking to it, essentially.  I've decided  that the planner I get for 2012 will have the hours of the day in it so that instead of just making a list of what needs to be done each day, I can actually schedule all of it.

I also signed up at Mint.com.  I had read several very good reviews of it, and then came across another one recently that finally convinced me to check it out.  And I have to say, I LOVE it.  I honestly cannot overstate how much this tool is helping me at last to really grasp my money situation and how to manage it.  It's like when you look at what appears to be the chaotic blur of a stereogram and then finally see the image, and go, "Oh wow, yeah," and your eyes relax.  For the first time in my life, I have made a balanced budget that is realistically based on what I actually have coming in, and I can see exactly where all of my money is going.

This is both relaxing and and freeing, which is ironic, considering how long I resisted budgeting because I felt it would be so stifling.

It's an interesting side benefit that budgeting my money is helping me budget my time as well.  I'm currently writing an ebook for a client who pays me an hourly rate.  It's up to me how many hours a week I put in.  What I've been able to do is put into my Mint.com budget the amount of money I need to make monthly working on the ebook, and then figure out exactly how many hours a week I need to put in to make that happen.  Cake! 

All of this has resulted in an incredible feeling of awakening and empowerment in these areas of my life.  I realize now that I've always let money and time just kind of happen to me, but I'm increasingly feeling like I'm in the driver's seat.  Money and time are tools, and while there will of course be unexpected things that happen and certain limits beyond my power to change, overall it's possible to exercise control over how I receive and use them, and in doing so, the mysterious result is abundance.

My Heart's Content

Last night as I was lying in bed, I landed on the word "content" to describe how I've been feeling lately.  This is not a word I've ever given much attention to; it's not phonetically beautiful, and definition-wise it's always seemed a little boring and naive to me.  But when it came to me last night, it floated into my consciousness in a way that made me see it as if for the first time.  I began to consider what it actually means to be content, to not desire anything more than what one has, because that is truly what I was feeling as I lay there.

We live in a culture that so values goal-setting and achievement, that it's no wonder contentedness is barely on the radar, that my automatic response to the word has been a sense of dullness and disinterest.  I mean, if you don't want anything, what fun is that?  What would motivate you to get up in the morning and DO anything?  Who would ever receive special recognition for how content they are?

It had never really occurred to me that the meanings of the word as an adjective (con-TENT) and as a noun (CON-tent) are actually related.  When I did a little research this morning, I discovered that they in fact have the exact same source - the Latin contentus, meaning "contained."

And this is perfect.  The feeling of contentedness that I've been experiencing on and off lately has everything to do with the content of my life - not the circumstances, the content.  The substance.  It's all about what's inside the container of my life, which is related to circumstances, but only in the sense of how I perceive, experience, and integrate them.

Contentedness, I'm finding, is not a position of dullness and complacency, but a dynamic state in which the things my life wants to move into are contained.  They find satisfaction first within my being and then flow out into form.  It's not that I don't want anything, it's that want is reduced to its essence, a recognition that it's more about merging with energies than attaining objects.  By merging with those energies within first, even the energy of desire, there is a first-level satisfaction, a contentedness created, which then allows the manifestation of any desire outwardly to be a natural momentum rather than a future-based striving.  

In other words, my heart's cont-TENT because of its CON-tent.

The heart my very best friend crocheted  for me.

Mother and Child

*I've been told this didn't post right the first time, so I'm trying it again.  If you've already read it, sorry for the repeat.*


I'm not just the innocent that needs protecting, I'm the compassionate mother who weaves and wraps the blanket. I'm the child who is healing and the resurrected woman both.

That's one of the conclusions I came to in my Recovery post last Sunday. (Achtung: If you haven't read that post, this one is not going to make much sense.) This insight, while connected to the bat orphans, the Raccoon card, and the Inanna story I spoke of in that post, comes most deeply and directly out of these images from my 2011 collage:

This one is at the very top center of the collage.

  

This one is at the very bottom center.

When I chose the top image, it was because she was green and pretty; I felt drawn to her for no articulated reason.  I chose the little girl at the bottom because she exuded innocence to me, she represented the return to childhood that I have been experiencing in various ways and want to continue nurturing.  And she was pretty.  I put her on the green apple because I'd already chosen the apple image (because it was green, and represented abundance) and needed somewhere to put it; they just fit well together.

It wasn't until a few days later that I thought to do some research on the top image.  The little book I got her out of, A Gift of Happiness, had the picture labeled as Green Tara, but I didn't know anything about her at all.  So I Googled her and found out some wonderful things, which I printed out in green ink, put in a green folder, and read through, underlining things that particularly interested me.  What really caught my attention at that time was that she is known as "the Mother of Liberation," "the Mother of Mercy and Compassion," and she represents enlightened action.  And it struck me how perfect it was that the mother is at the top of the collage and the child at the bottom, and that both images represent aspects of myself.

After the protection and fierceness themes came up, I went back and read my folder about Green Tara again, and lo and behold, this is what I read; it didn't really register the first time:

During our spiritual growth we need to turn to our Holy Mother, Tara, for refuge.  She protects us from all internal and external dangers (http://kadampa.org/en/buddhism/tara-puja/)

Tara is a female Buddha, and Green is only one of her 21 manifestations, but is also the most popular.   According to my source, "she is the fiercer form of Tara."  In other words, she is fierce compassion, fierce blessing, fierce protection.

Wow.

Buddhism is not a religion of deity worship.  It's more like a system of spiritual practices, although I'm no expert.  But the existence of Tara goes back way far in both Hinduism and Buddhism, and it seems that she is primarily related to as a meditation deity.  There is a mantra associated with her:  om tare tuttare ture svaha, the reciting of which is said to "untangle knots of psychic energy," among other things.

According to Wikipedia, the Tara practice consists of meditating on the visual image of her in order to incorporate her qualities; in this sense she becomes an "indwelling deity," which is the same idea behind all good Christianity.  But Buddhism takes it a step further, because by practicing this as a disciplined meditation, the practitioner eventually comes to see that Tara has "as much reality as any other phenomena apprehended through the mind."  The result is "the realization of Ultimate Truth as a vast display of Emptiness and Luminosity" because "one dissolves the created deity form and at the same time also realizes how much of what we call the "self" is a creation of the mind, and has no long term substantial inherent existence."

All of this makes wonderful paradoxical mysterious sense to me, because as soon as I knew she was the compassionate protective Mother, I began imagining a story about her and the Child of my collage.  The Child knows she is protected: she doesn't have to look up to make sure the Mother's still there.  She is protected by her innocence and trust.  She knows she is safe and loved, and so she is going about her business, making her daisy chain, her creative offering.  She is aware of all that is around her and yet completely focused on her task.  The Child IS the "enlightened action" Green Tara gives birth and form to.

The Child's face is hidden, yet her essence is not.  We see the Mother's face instead, the Child's source.  We see what the Child is doing, which is playful, beautiful, and innocent, and is made possible by the Mother's protection.

In my Recovery post, I used the metaphor of a blanket for maintaining warmth, but the Mother and Child in my collage are warm without a blanket; the Mother is in fact partially naked.  This points to the time when the blanket will no longer be necessary, when the Sun itself will be my warmth.  But now it is winter, and I will continue to wrap myself close for the time being.

Which brings me to Brigid, whose holiday, Imbolc, is February 1 and/or 2, depending on your source.  She is connected with fire and water, poetry, and healing.  She is another fierce Mother, and is a goddess (or saint if you'd rather) who I've felt connected to for a long time.

One of the traditions associated with celebrating Imbolc is to make a pledge for the coming year.  Because her day affirms the promise of spring to come, the planting of seeds is a symbolic sealing of the pledge.  But because this day also marks mid-winter, the blessing and lighting of candles is part of it too.  To me, this recognizes that there is a season and movement to everything - a time to bundle up and withdraw and a time to dance naked in the sun, so to speak.

When I lit my room with many candles on Imbolc night and meditated on what my pledge would be, I sat before my collage until it became clear.  In choosing "bless" as my word for the year, I had only thought in terms of giving blessing - blessing as enlightened action, I suppose - but in gazing at the Mother and Child, I suddenly understood that it must also be about opening to receive, gratefully, the blessings of my life.  And so the pledge I made is to both give and receive Life's blessings.  

The Mother blesses the Child and the Child blesses the Mother; they dissolve into one another, into pure Being.    

Setting Scraps of Light on Fire

Scraps of light through the adobe ruins next to the grove

Today is my one year blogoversary.  It is this and only this that has finally gotten me to sit down and write a post.  I have missed blogging and think about it almost every day, but my life has become so full of other things that I haven't had the inspiration.  To find some, I walked over to the church today, but there were too many people around so I ended up in the grove, where I sat and wrote this post by hand.   I have found myself sitting in the grove more often lately than in the church courtyard.  It's green again, although the mass graves of trees are still untended.

So much has happened since I last posted, that I don't know where to begin.  Should I tell you about my busy life?  The immense sense of loss and sadness I've been feeling?  Should I talk about how disconnected I've become from my writing?  

Or maybe I should try to be more positive, and tell you about my discoveries about bats, or the white cat I keep seeing, or my lemon tree dream.  But all these things are moments that have passed, inspirations that have faded in the face of too much work.

I'm not happy.  I know I need to just accept the way my life is right now, surrender to it.  Believe me, I'm working on that moment by moment, but there is a very sad little girl inside me who wants to come out and play.  And I don't know what to tell her to make her stop banging on the door.

And I realize how much I miss you all, my blogging friends.  It's not only the writing that I miss, it's the community, the support.  I feel very alone in my life these days, very much like I'm carrying a heavy burden by myself.  Stumbling and faltering under it.

But life goes on, and I just keep taking the next step.  At times I have glimpses of all this as a journey of significance, but mostly it just feels like stumbling in the dark.  I get tired of trying to hang onto the scraps of light that are tossed me.  I get mad at God for not giving me more, and then I'm ashamed for feeling that way.

And that's why I need - NEED - to write about those scraps, because it's the only way for me to hold onto them as guides, as reminders of the greater journey, the better story.  I need to tell you about last week when I had both a butterfly and a dragonfly on my finger in the same day.  They were both trapped in my house at different points, and I freed them.  

I need to tell you about dreaming of a sugarlaced lemon tree so glorious that gazing up into it was like eating the sun.

I need to tell you about the lessons bats have been trying to teach me about surrender and rebirth, about echolocation, in which bats navigate in the dark by using their voices to create sounds that reverberate off objects - the ability to see with the ears, to hear with the voice.  Because by telling you, I have a greater chance of really learning the lessons, internalizing and integrating them.  I too hear with my voice.  I learn by teaching.

And now, just by writing all this, I feel lighter, happier, inspired, free.  It occurs to me that this post follows a similar structure to some of the biblical psalms that start out with a lament and end with praise because by writing the lament the psalmist has seen the joy again.

Now I see that the writing I haven't been doing had hardened around me like ice, that scraps of light left unshared leave me cold, and once that happens, I have to write into the cold to break through it.

The fire must be tended or it dies out.  The fire must be fed, and for me that means writing it. 

Bittersweet Harvest

Justin, Ben, and Harry in Mexico.  I met them shortly after this trip.

The house in Las Vegas, New Mexico that I moved into after I split up with my husband was next to a compound inhabited by three men:  Harry, Ben, and Justin, and I became very close to all of them.  In fact, Justin eventually became my partner and the father of my fourth child.  Harry was in his mid-sixties when I met him, but had the health and energy level of someone much younger.  He was a forest firefighter and a pilot, and had lived in many places and done many things.  At one point in his life he was a successful stock broker.  He was wise, funny, strong, and a great cook, famous for his amazing pots of beans. 

Two days before Eliana was born, he got up that morning, and something wasn't right.  We all thought he was drunk at first, but soon realized he had had a stroke.  We brought him to the hospital where he stayed for several days.  He and I were in there at the same time, I giving birth, and he beginning a slow process of death.

When he was released, he wasn't much better than when he went in.  The stroke had completely transformed him, he had turned into an old man overnight.  He was disoriented and couldn't do simple things for himself.  I would go visit him, and he'd have his glasses on upside down, or his shirt on inside out.  A few days after his return home, he reached into his woodstove and grabbed a smouldering log with his bare hand, severely burning it.  I became the tender of that wound, changing the dressing twice a day.  I was simultaneously caring for a newborn and a wounded old man, and it was hard.

Harry eventually got a little better in terms of greater clarity and ability to do for himself, but never again returned to the man he had been.  

I eventually left Las Vegas and did so with great relief to be ending a dark period of my life.  I had gone through a couple of years in which I suffered a major identity crisis, and allowed myself to be drawn into a downward spiral of reckless behavior.  This resulted in the loss of several friends, and even after I began rebuilding my life in a healthier direction, the views of certain people about me were set, so that I found myself trapped in the mirror, so to speak.  So after I left Las Vegas, I never looked back, I blocked it out of my consciousness as much as possible, and didn't go back to visit Harry or anyone else.

Last Wednesday, Harry killed himself with a rifle.  It had gotten to the point where there was discussion about putting him in a home.  That just wasn't going to happen.  I don't blame him, but it doesn't make it any easier.  It didn't make it easier to go to Las Vegas, or to walk in the room where it happened.  It didn't make it easier to clean brains off the wall, or to deal with the flood of memories that overtook me when I saw the white electric heater he had in there, that used to be my daughter's and was covered in exuberantly adolescent graffiti-like phrases she had written in black Sharpie.

Going to Las Vegas the other day was an intense opening to many things that I have been so closed to, so numb against.  Things related to my relationship with Justin, things that happened with my children while I was there, all the good and bad memories of living there, of who I was then.  And I realized to my shame that after Harry had his stroke, I detached from him because it was too hard to see how he'd changed, to suffer the loss of the amazing man he was.  I was always afraid I would betray the dismay I felt around him.  And honestly, after I left, it was as though I'd already written him off.  I kept expecting to hear that he'd died and I'm surprised he lasted as long as he did.  For a man like Harry, living in dependency on friends, doctors, pills, was no life at all.

I want to remember him as he was before the stroke, his gruff voice with that slight Texas drawl, the way he'd call you darlin'.  I see him driving down the road in his big black and red rescue Jeep, wearing one of those crisp white shirts he loved.  I remember how despite his ability to lead a team of firefighters, he was afraid of bugs.  How he mentored June Amber, my oldest daughter, during a difficult time for her.  But I also want to remember who he was after the stroke, and honor that person too.  Because he hung in there, he fought the good fight until the end. 

Today is Lammas, the pagan celebration of the first harvest, the harvest of the grain.  According to schooloftheseasons.com, it is a festival of regrets and farewells, and this is very fitting for me today, because I am experiencing a true regret, that I let my emotional difficulties  prevent me from staying in relationship with someone who was very dear to me and is now gone.

And yet, my overriding feeling is one of gratitude, that Harry lived and that he's free, that I have been brought full-circle to face and integrate my Las Vegas life and its people, to soften my heart and open to love in a place that has been cold and dark within me for several years.  To forgive myself and others.  To say a fond farewell - to Harry, to my regret, to past mistakes, both mine and others.'

One of the traditions associated with Lammas is baking bread, making good use of that which has been harvested.  So today, as I consider all that I am now reaping from my relationship with Harry, from my life in Las Vegas and all that I did there, all that I can now make good use of instead of regret, I will bake a loaf of bread in honor of Harry's life, and bring it to Las Vegas when I go for his memorial next weekend, to share with others who were connected to his life, and to mine.

Harry, Eliana, Justin, me, and June Amber in California, Summer '08

Graffiti and Roses

Today is the Summer Solstice, and what that immediately conjures in my mind is Shakespeare's A Midsummer Night's Dream and a vague longing for romance and the ocean.

But I am single, and nowhere near the ocean.  I was hoping to visit the west coast this summer, but chose instead to put money into a writer's conference that will be happening here in Taos.  (Have I mentioned that I'm writing a book about my relationship with the San Francisco de Asis church?)  My heart right now is very much with the Gulf Coast, and so at this Solstice time of great light and life, I am permeated with the awareness of darkness and death.  I feel it in my own body.

Today is also Honoring Sacred Sites day, and so I send my light and life to the Gulf Coast, the sacred ocean.  And I turn, as I do every day, toward the San Francisco de Asis church, the sacred site right outside my door.

Taos is a tourist town, and each summer a theme is chosen to center activities and events around.  Last year it was "The Summer of Love," and the focus was on Taos' strong and enduring hippie culture.  Dennis Hopper came for the opening of his art show.  This year the theme is "Return to Sacred Places."  In fact, the newspaper held an essay contest for Taos residents around this theme, and I got an honorable mention for my essay about the church.

Because of this theme, there has been a lot of focus on the St. Francis church, with talks given and three art shows around town.  I missed the talk that was given at the public library on June 5, but was lucky enough to catch it on the radio the other night.  The thing that most struck me in this talk, given by David Maes, who is a lifelong resident of Ranchos de Taos and member of the church, was in his introduction.  He spoke of how the church belongs to anyone who experiences its sacredness, and how even the air around the church feels holy and refreshing.

I did not participate in enjarre, the annual remudding, which is now over.  There is a variety of reasons for that, but one of the most unexpected ones was the sense of loss I've been experiencing over the cutting down of trees in the grove by the church.  It left a bad taste in my mouth and made me want to stay away from the church altogether.  It was several days after seeing all the stumps before I could go back, and when I did, the stumps had all been overturned so that the whole space resembles a twisted wasteland.

The next time I went, a few days after that, I discovered that the entrance to the grove between the gift shop and rectory was now defined with edging and filled with gravel.

I have to admit I'm having trouble with these changes.  A little bit of wildness has been tamed.  I don't think the birds are happy about it either.  The doves have been completely silent and the crows have sounded so angry lately.  They've been congregating and having screechfests in my yard.  I know I've mentioned the birdlife at the church before but I want to give you a clearer picture of this.  It's really only been in the past month or two that I've realized how central the church is to the bird communities of Ranchos de Taos.  There are more birds in this part of Taos than any other, and what I finally realized is that the church is their crossroads, their center.  They fly back and forth, in and out from that hub.  Maybe it's my imagination, but it seems like there's been less bird traffic since enjarre began.

And I can't help but wonder how St. Francis would feel about all this.  One of the things he was famous for was going around and restoring rundown churches, but I wonder how far he took that, balanced against his intense reverence for Mother Earth and her creatures.  Sigh.  Well, what's done is done, and there is nothing for me to do but accept and integrate these changes, and continue to simply observe them.  One thing I do like is the new sign that marks the entrance to the grove from the church side:

The grove is still in flux.  Orange fencing surrounds the area near the adobe ruins that borders the grove, and certain spaces are marked out in a way that suggest something is planned.  Perhaps I've never mentioned the ruins before.  It's hard to give you the scope of it with my simple camera, but here's a try:

It's not the Parthenon, but there is still something sacred in this to me, even or perhaps especially in the graffiti.  There is a sacredness in the way we leave our artful marks on things.  I love the way recent generations have come up with ways to do this even in urban landscapes.  Graffiti, skateboarding, and parkour are all ways to use and add to the mundane and manmade in elevated ways, turning the utilitarian into the artful, for the sheer joy of it.  (I must mention here that I love the concept of Tess' blog, Sacred Graffiti; I highly recommend you visit there.)

After some inquiry at the gift shop, I discovered that the activity around the ruins is because an archaeology group is doing excavation.  When the church was first built, it was surrounded by a fort, and the buildings later became private residences, many of which are still occupied.  Since those buildings hold a lot of history, it makes sense that an archaeology group would be interested in the ruins. 

On the other side of the ruins is the church lot, a deep contrast in its manicured beauty.  Now that things have calmed down a bit over there, I've been able to settle in and enjoy it again. Today, a man was revarnishing the benches in the courtyard.

I love to see the seasonal changes over there.  The flowers that the hawkmoths come to aren't blooming yet, but the rose bushes are in full bloom, something I missed last year because I didn't start walking to the church until after the blossoms had faded.

Clare, the Virgin of Guadalupe, and their roses.  Notice the ruins in the background.

I'm thinking about the pruning metaphor again in terms of manmade changes versus "natural" ones.  I once had a student who wrote an astonishing paper using Emerson's ideas about nature to back up the claim that everything humans do is natural.  Is the grove-clearing and throwing down of gravel as natural and beautiful as any seasonal change of the flora?  My instinctive resistance to this idea is based on the fear that if we believe that, it gives us license to do all kinds of real damage, just the way that verses from Genesis about mankind having "dominion" over Creation have been used to justify all sort of horrible nonsense.  And yet, partially thanks to that student's paper, and also Byron Katie's teachings, I can't help but wonder:  If we consciously saw things in this way would it not ultimately give us a greater, not a lesser, awareness and sense of responsibility in our interactions with the natural world?  In fact, we would no longer see ourselves as being separate enough to have "interactions with" the natural world, but would know ourselves to be part of the organic whole.

I don't know.  If I've learned anything in my four decades here on Earth, it's that it's a long road from ideology to integration.  But on this Solstice day of honoring sacred sites, it feels like an appropriate rumination.  Graffiti and roses, skateboarding and birdflight, excavation and pollination, pruning, enjarre, restoration, decomposition - my former student would say these things are equal to each other, equally natural.  What has always appealed most to me about the St. Francis church, which is the most sacred place in the world to me, is the dance among nature, culture, spirituality, religion, art, tradition.  And the paradoxes in all of it, the paradox in my relationship to it as an intimate outsider.

What better way to honor the seasonal changes of nature and sacred sites both "natural" and manmade than to perceive ourselves as fully integrated with and responsible for them the way we are responsible for our own selves?  This is also National Prayer Day, and the only prayer I have is for this, and then to rest in the holy paradoxes, the mysteries to be integrated within and beyond our ideologies.   

Self-Trotter

I'm losing my religion.  No, I'm not talking about Christianity.  That's a religion I could never "lose" because it's written into my soul.  My understanding and expression of it can and does deepen and change and grow, but what is essential in it cannot be lost, because, in the words of A Course in Miracles, "Nothing real can be threatened."

What I'm losing is the religion of "I need a partner to be complete," which is probably the most popular religion in the world, with the most convincing propaganda.  "Can't live without you," "You complete me," "You are my everything," are just a portion of its liturgy.

This process began several months ago with a short but powerful dream.  I was driving to my sort-of-sometimes-partner's house with the familiar feeling of anticipation and anxiety.  I need to see him.  What if he's not there?  What if he's with a woman?  It was nighttime, and there was a massive thunderstorm going on.  I could barely see the dirt road that leads to his place, and feared I would drive off the side into the ditch.  I was forced to slow down almost to the point of stopping, but was determined to go on.  I had to get there.  But all of a sudden, there was a huge flash of lightning that encompassed the whole scene.  I found myself enveloped and completely stopped by blinding light.  And in that moment, I just surrendered to it.  I gave up.  It was as though a voice deep inside me was saying, Stop this nonsense.  You are already here.  This light is what you want, and you are in it.  BE in it.  And I became very still and felt something akin to ecstasy in that living, permeating light.  I woke up.

The significance  and experience of this dream was so incredibly simple and obvious, so powerful, that it has remained prominent in my mind even though I didn't write it down and it was months ago.  But it's only now that I'm really starting to live its message, to truly be in that light without trying to get anywhere else.

And this has left me in a strange new space that keeps unfolding.  Until the other day, I couldn't say anything about it, but thanks to some blogging and other friends, I've found some words for it.  One thing I see now is that it's not even relationships I've been addicted to, but THINKING about relationships.  Since kindergarten, there's always been some boy on my mind.  Always.  And I get it now, that the need is to define myself against someone else.  Do I exist if you don't?  Hmmm.  I've realized that the only times I wasn't thinking about a boy, I was thinking about someone who might be mad at me, or someone I'm mad at.  It's about conflict, distance.  Needing to define my own existence as apart from, NOT together with someone else's, as it might appear.  Pure ego crap, to put it bluntly.

So now here I am, no longer a slave to those thoughts.  Now how do I define myself?  Well, I haven't been.  Which is why I've had nothing to say.  I've been deconstructed, I have no walls to bounce off, just free floating.  And I'm very aware that no matter what I say, I'm just making up stories, none of which are ultimately true.  And yet, as Kate put it in a comment on my last post, writing is the way to "know my insides."  The stories are not true, but can contain truth, as it much as truth CAN be contained.  And even more to the point, they construct meaning, a way of understanding.  Language has its limits, but can, at its best, point to truth.    

Jennifer and I had a conversation the other day about the limits of language, and how some words are just not adequate for what they describe.  The specific word in question was "recovery."  I don't think this word does justice to what it defines.  As Jennifer said, it implies a mask, a re-covering.  Once your light is uncovered, why re-cover it?  The word we agreed was better is "remembering," as in remembering who you really are, as in re-membering.  Sorting out and recreating the members of your being.  This is what's happening to me now.

I'm amazed at how quickly after re-entering the blogosphere, I gained inspiration and understanding through my blogging friends.  On Claire's blog the other day, she posted a quote about "inner geography," a term I immediately resonated with.  It gave me the language, the analogy to begin describing where I am.  It's as though I'm standing on the mountaintop of my inner geography for the first time in my life, exhausted and exhilarated from the climb, totally, gloriously alone, surveying my whole landscape.  But it all looks strange and unfamiliar from this vantage point, and I feel detached from it - I'm not IN it, consumed by it anymore.

The paradoxical beauty of this is that when I'm outdoors now, when I'm sitting in the grove by the church, for instance, I am oh so much more fully IN the grass, the sky, the birdsong, the breeze.

In Claire's post, she discussed an upcoming trip she's taking.  That woman is always going somewhere new in the world, and I admitted my envy of her being a globe-trotter.  She came back and said that I was a "self-trotter."  Yes.  I am traveling the world of myself, which is the world.  I'm in it, and it's everywhere in me.  Hallelujah.  As Rumi said, "To praise the sun is to praise your own eyes."  Hallelujah indeed.

The Conjunctive Mood

Recently my son was having trouble with his laptop; it was processing slower than he wanted it to, so I showed him how to defragment the hard drive.  While looking at the defrag screen together, he was confused, and asked how it works.  I said I wasn't entirely sure, but that it's a way of moving files together so there's no wasted space.

The analogy I used was that of a bookshelf, on which the books are disorganized and randomly placed, some standing, some in piles, with unused space in-between.  Defragmenting is like taking all the books and standing them up together to create more usable space.  It's a way of organizing.

I've been reading Eckhart Tolle's miraculous book, The Power of Now, and later that day I came across a passage that made me go deeper into the defragmentation analogy.  He says that the inability to feel connected to Being (a word he uses in place of "God") causes you to "perceive yourself consciously or unconsciously as an isolated fragment."  And I thought, when we feel this way we are like a book askew and alone on the shelf, unread, undusted, just taking up space.

Or we are like an instrument in the orchestra when the musicians are tuning up and there's no harmony.  Each instrument makes a sound with no connection to any other, and the result is discord, cacophony.

I have not been blogging much lately, partly because my outer life has become quite busy of necessity, but even more so because my inner life has been shifting radically.  I have been undergoing a defragmentation process.  The orchestra has stopped tuning up and the first few notes of coherence and harmony have begun.

This is happening because of some recent life events that have urged me to move away from the negative thought processes that have kept me fragmented.  Some of these events have been by choice, such as giving up bitching for Lent, and some of them have come from the "outside."  In conjunction with these events is the reading I've been doing of Tolle and of Byron Katie's book Loving What Is.  At this point, I must heartily thank Jennifer for directing me to Tolle and Dan for directing me to Byron Katie.  The fact that I was turned on to these amazing resources at the same time blows my mind.  Literally.  Because the purpose of these books is in fact completely aligned, and that purpose is undoing the egoic mind, bringing the Self into awareness and acceptance of reality in the moment.  Embodied in this is the realization that the mind is an instrument, yet only one in the whole orchestra.  It has its uses, but when it's allowed to run the show, the result is discord.

Within a few days of applying the principles of these books, I was experiencing and responding to life significantly differently.  (I will post more about this soon.)

Around the same time, I also drew a card from The Kabbalah Deck, and pulled the Hebrew letter Vov (or Vav), which means "and."

Edward Hoffman, the creator of The Kabbalah Deck, says that Vov "reveals that things seemingly separate and even contradictory...can be seen to comprise a higher unity.  With the right attentiveness, we can perceive the nature of that unity and thereby resolve conflicts."  This sounds uncannily related to the practice of Negative Capability (see my About Me section for the definition of this term.)  This quote shows why Negative Capability is important, and not as abstract and esoteric as it seems.  It's a practical process resulting in defragmentation.

And.  Such a little but powerful word.  The supreme conjunction.  And is the solution to fragmentation.  It is the empty space, the gap, the silence and stillness between things.  It's a powerful and always accessible koan. It's the reason I make collage, the very nature of it.  It joins all things.

Black and white.
Fire and water.
Male and female.
Inspiration and expiration.
Inner and outer.
Yes and no.
Past and future.

To meditate on the and is to truly apprehend the things it joins, but also to become less attached to them.  To see that higher unity, which cannot be understood by the egoic mind because its mantra is "or."

Interestingly, Vov is also associated with the ability to reverse past and future tenses in Biblical Hebrew.  According to Inner.org, "the power of teshuvah  [repentance or returning to God] to completely convert one's past to good, is the power of the vav to invert the past to the future.

I see a connection here to English grammar's conjunctive mood (more commonly called the subjunctive mood).  This is a way of joining past, present, and future tenses, but can be done for different purposes and with different effects.

It can emphasize the present as the place where past and future meet, or in the case of expressing a wish, for example, it does almost the opposite.  It reaches to the past and the future with no real recognition of the present.  This is very fitting, since wishing by its very nature reaches to the future with no regard for the present.

But the conjunctive mood is also used for blessing, a way of coming fully into the present and allowing it to extend into the future.  For example, the conjunctive mood phrase, "Peace be with you" is for right now, but also a continuation into the future.  Same thing with "God bless you."  It's subtle, because the emphasis is on the present, as it should be.  The hint of future enters with the implied word: "May."  (May) peace be with you, (May) God bless you.  If the word was included, the emphasis would be on the future, but because it is not, the present-tense form of the verb is in the spotlight.

Interestingly, this type of construction is falling out of usage, and (according to Wikipedia) especially in the UK, for some reason.  In fact, there its usage is actually being fought.  What does this change reflect, I wonder?   

I like this construction; I like contemplating that even the ways we use language reflect our spiritual condition.  It is another vehicle for practicing Negative Capability, specifically with the paradoxical and mysterious nature of time.  I find myself living in a conjunctive mood these days.  And my favorite koan-ish conjunctive mood phrase, appropriate to end this contemplation with is:

So be it.

Big Ole Poetry Challenge

I was inspired recently by Eryl's post in which she discusses the meaning of the word "core."  She posted a drawing of the earth with a piece cut out of it to show the red and orange core.  It wasn't until I read this post that I made the connection between the second chakra and what is commonly called the core of the body.

I have also been inspired by Dan Gurney's emphasis on poetic forms lately, so rather than put together one of my usual convoluted essays, I decided to write a poem on the subject of the core.  I chose to make it a sestina, which is one of the most complicated forms to write.  The premise is that you choose six words which you use repeatedly at the end of each stanza, in a certain order.  You can read about sestinas and their intricate ordering here.

I've only written one other in my life, and it was handed to me by the muse in the shower one day.  This one, while not quite as easily given, was still not as hard as it seems like it should be.  I had no idea what I was going to write; I just chose six words that are interesting and relevant to me right now, and then it practically wrote itself.  There is something very freeing to me about writing in a strict form, the way strict choreography makes a dance more fluid.

I would like to challenge any adventurous blogger to play with this form, and then share what you came up with on your blog.  It's really a lot of fun, especially if you're a word nerd like me.  And I've realized that there's something about this form that lends itself to extraordinary magic.

Svadhisthana Sestina

If you're going to start at all, start from the core,
not with singing or speaking, but with quiet
breath.  Inhale and exhale the color orange,
let inspiration and expiration interlace
as the brilliance of the sun becomes the moon.
So begins the dance.  In and out, it spirals slow,

more than can be imagined, as the Earth was slow
to reveal herself, her galaxy home and flaming core.
As she circles round the sun, so is circled by the moon
in this constant looping stillness:  space is cold and quiet.
Look into the night - shawl of stars like lace
across black linen; on the horizon, a sash of mounting orange,

trick of light and proximity.  Thick hot orange
ascends to cold and clears to white, with a long slow
birth up the sky.  Notice these movements; they lace
together all that can be noticed around the single core
of your noticing.  Then refrain from vision and be quiet
in your desire, in your fear, as you moon

over all you feel you've lost.  Whisper to the Moon
and she will teach you.  Now peel and eat an orange,
one section at a time.  This is not a quiet
action; a scream attends each slow
tear of flesh from flesh.  You will find no core
in this, only a tough and tangled lace.

Without washing the juice from your fingers, lace
them together.  You are cupping the moon.
Resting your hands in your lap, close to your core,
simply digest.  The food becomes your blood, scent of orange
your remembrance.  Let your heartbeat slow
until it too is consumed, its work quiet.

Here is the only place there is, this quiet,
where all things emerge and interlace.
You may speak now, but let your words form slow.
They must ever recall the solid moon
and illusive sun, that dismembered orange,
the things you've never touched, galaxy to molten core.

Spent now is the slow night with its quiet
shades, and once again the moon dissolves like ancient lace
into blue sky, green earth, orange sun.  Into your fiery core.

Peeling the Orange: Bottom Half

When I began to look more deeply into the orange, Googling brought me immediately to the second chakra, called Svadhisthana, whose color is orange.  (If you don't know what a chakra is, go here.)

symbol for Svadhisthana

This chakra is also associated with the ninth sephirah of the Tree of Life, Yesod.  The attributes and themes of Svadhisthana and Yesod are quite similar.  Both are associated with the Moon, for one thing, which I find interesting, since the moon often looks orange.  Not so incidentally, this weekend saw the biggest and brightest full moon of 2010, with orange-appearing Mars right next to it.  The reason the moon looked bigger and brighter is because it was closer to the Earth than it usually is.  This also means higher and lower tides, and I feel like it's been that way in my life lately.  I've definitely been having a high tide of orange and inspiration, but also a low tide in terms of energy and emotion.

The truly useful information about Svadhisthana/Yesod for me is that they are both related to energy centers in the pelvic region of the body.  Svadhisthana is called "one's own abode," the "seat of life," the origin in the body of chi or the lifeforce, and is associated with emotions, relationships, dualities of all kinds, and with water.

The Waterfall

by Kahlil Gibran

(I found this on a great blog called Heartsteps, 

which Dan Gurney called my attention to recently.)  
 

Yesod is "Foundation," and has been referred to by at least one Kabbalist as "the Translator," because it's seen as a bridge between spiritual energies/ideals and their manifestation in the human being and therefore in the world, the Malkuth (or Shekhinah) realm.  

In order to make an attempt at brevity (hahaha), there's a lot I'm leaving out of this discussion (including the strong association for both Yesod and Svadhisthana with sexuality.) I am grossly generalizing and broadly summarizing; all of this is more intricate than I'm making it appear.  Part of this intricacy is that different sources interpret different ways, especially with the Kabbalah.  That's one of the beautiful things about Judaism, in my view.  It's very open to creative interpretation, and encourages that more than other religions seem to.  Anyway, I've included the above links if you want more thorough information.  

My focus, what is most helpful to me in this exploration, is the series of exercises I've discovered, both physical and spiritual, whose purpose is the healthy flow of energy in and from this area of the body, and thus a healthier emotional state.  According to several sources, the pelvis and hips constitute a region where old emotions can be stored and eventually stuck.  I have had lower back and hip problems since I was pregnant with my oldest daughter, so this speaks to me.  

The descriptions I've read of what happens when the second chakra is too open (overly emotionally reactive, too absorptive of others' emotions) and too closed (shut down, apathetic, cold)  both fit me.  I go back and forth between these states, and what is between them is anger and irritability. Last year, when I was in the Malkuth/Shekhinah "class" in the mystical school of life, I learned how the physical world (especially my own body) works.  This year's class, which is teaching me to use some new tools to add to the set, is a continuation which makes perfect and uncanny sense, since Yesod is just above Malkuth on the Tree of Life.  My sap is rising. 
                                                                                          
The Translator aspect of Yesod speaks to me as well.  I need to be able to take the amazing ideas and energies that I stir around in my head, and translate them into manifest form, some kind of creative action.  Writing is a primary expression for me, but it can't just be that.  This is my year of quiet love.  To learn to love quietly, I need to balance my emotional state and find a flow of love-energy that can be expressed naturally, through many means, not just words. 

This morning in church, one of the scriptures was the famous 1 Corinthians 13, the "love" passage.  I was struck by Paul's analogy of the gong, that one can have brilliance with words and ideas, but without love, it's worth exactly nothing:  it's like a noisy gong. Wayne, the pastor, demonstrated during the children's sermon with a cheap little clangy gong compared to a Tibetan singing bowl.   I have been feeling gong-like lately, especially around my family.  I want to be a singing bowl. 

I need to be able to feel the people around me without drowning in it or shutting myself down when it's all too much.  I need a vibrancy and vitality that flows out of me and doesn't just get stuck in my head.  Spiritual concepts, no matter how elevated, are no good at all if they are not expressed in concrete action.  And the time for that action has come.  What good is peeling an orange if you don't eat it?

The trick now is to get all of this wonderful information from my head into the rest of my body.  My brain has been overstimulated with this stuff, and I have yet to actually apply it and do the friggin' exercises.  My body, my emotions, and my energy level are suffering for it.

The word Svadhisthana means sweetness.  This is a sweetness not only to consume but to share.  I've peeled the orange; now it's time to take it in and let its nutrients move through my body, into my heart, and emanate to others through my very skin.

Bhramari Devi, Hindu bee goddess.

She is a manifestation of Kundalini:

the buzzing of her bees ascends up the spine,

awakening the chakras.

The Epiphany Chronicles IV: The Intolerable Shirt of Flame

Morning of January 11

If you came this way,

Taking any route, starting from anywhere,

At any time or at any season,

It would always be the same: you would have to put off

Sense and notion. You are not here to verify,

Instruct yourself, or inform curiosity

Or carry report. You are here to kneel

Where prayer has been valid. And prayer is more

Than an order of words, the conscious occupation

Of the praying mind, or the sound of the voice praying.

Who then devised the torment? Love.

Love is the unfamiliar Name

Behind the hands that wove

The intolerable shirt of flame

Which human power cannot remove.

We only live, only suspire

Consumed by either fire or fire.

~T.S. Eliot, “Little Gidding”

After much deliberation about the meaning of "integrity," and with Justin's permission, I've decided to go ahead and post this.  Because things are what they are, and the integrity of these chronicles requires it for completion.  And because I truly think of you as my friends.

Fact is, as they say, stranger than fiction.  In the biggest unexpected twist of these chronicles, especially since they were already mostly written when this happened, I experienced the following.

I went early to bring my beloved his mail from the box we share, and discovered him with another woman.  Please bear in mind that we live apart and with no commitment to monogamy.  But still.  I was devastated.

This was the day I started to run.

I returned to my house after this shocking epiphany, shaken to the core, physically vibrating. And said to myself, I'm done.

I'm done.

I'm done.

I fired the censor and wrote every outrage of my incensed heart, and it was not the black sludge, it was the guileless child incarnate at last, that neglected stranger welcomed in.

It's done.

I'm done.

And then I said to myself and to God:  Now what? What do I do with myself? I was still physically shaking. There was no way I could work like this or go pay bills or eat breakfast.

I had been thinking the night before that I'd like to start running. I had mentally plotted my course to and around the St. Francis church and then home a different way. Just like the Wise Men.

I've been reading The Way of the Beloved, and one of the recommended exercises for generating more love is to practice being grateful for “negative” things, to find something in them to be grateful for.

I am grateful for this heartbreaking epiphany because it impelled me to start running.

I walked down the street a bit, then broke into a run, crossed the board over the acequia into the little grove, through the grove, next to the graffittied adobe ruins, into the church parking lot. Something was going on at the church. A funeral. How fitting.

I ran a circle around the church, the hands of the saints reaching out to caress me through the adobe in which they forever live, back through the grove, stopped at a tree to stretch. My mind was graciously blank. The shaking was no longer trapped inside, but suspiring through my flesh.

Back out to the street, past my house, through the post office parking lot. I slowed to a walk down the highway, ran back into the church lot from this different direction. Around the courtyard again. Clare. Oh Clare, please pray for me. Mother of God, pray for me. Mama. And I'm not even Catholic. But it felt right and was medicine.

This running, this writing, are prayer and liberation.

Even in failure,

even in fear,

even in sorrow,

I have and am

- am because I have -

everything I need. 

The light shines

in the darkness,

and the darkness

has not,

will not,

can not

overcome it.

I have and am

my whole

light in the darkness

self.

Thank you.

The Epiphany Chronicles III: The Impossible Union of Spheres of Existence

Day of January 6

The Feast of the Epiphany

For most of us, there is only the unattended

Moment, the moment in and out of time...

Music heard so deeply

That it is not heard at all, but you are the music

While the music lasts.  These are only hints and guesses,

Hints followed by guesses; and the rest

Is prayer, observance, discipline, thought and action.

The hint half guessed, the gift half understood is Incarnation.

Here the impossible union.

Of spheres of existence is actual,

Here the past and future 

Are conquered, and reconciled.

~T.S. Eliot, "The Dry Salvages"

I woke the morning after my nightmare refreshed and calm, with more energy and clarity than I'd had in a few days.  My goal for the day was to get caught up on my grantwriting work and do a house blessing, a traditional ritual for Epiphany.  But when I looked around my house, I realized neither of these things were going to get done unless I cleaned first.

  What was I going to do with all this stuff?

The house was chaos, most of it worse than this table.  But I was apprehensive about starting to clean because I knew once I started, it could go on all day.  If it hadn't been for the house blessing plan, I probably would have ignored it and worked instead, but there was no way I was going to bless a dirty house.  So I took a deep breath and plunged in.  I tidied and mirted (opposite of "trimmed") the Christmas tree and put away all the decorations and washed dishes and rearranged shelves and furniture and vacuumed and swept and blogged in between tasks.

I found a perfectly intact dead bee on top of a pile of stuff in the recycling bin.  What the heck was a bee doing out here in the middle of January?  At first I thought it was alive, it was so perfect.  If you're not acquainted with my connection to bees, read this.  Most people would probably not find much significance in a dead bee, but for me it was a definite message, an alert.  The last time a dead bee came to me so clearly, I was making a three-dimensional medicine shield collage and needed something for the center of it.  I walked outside barefoot and was stung by a bee I stepped on.  But amazingly, it wasn't crushed and it ended up in the center of my shield, just where it belonged.  It was the first and only time I've ever been stung by a bee.

The first time I checked my email that morning, there was a new post announced on The Website of Unknowing, called "Dark Epiphany."  Since I was processing the nightmare, I was very curious about this.  Turns out, it tied in perfectly with my "dark epiphany" of the night before.  Carl McColman, the author of that site, says, "struggling with the absence of God is a way of experiencing God’s presence. Call it a dark epiphany, perhaps. We fool ourselves if we think that God only shows up in the light."

This also ties in nicely with the comments some folks have left on my previous two posts in these chronicles. A dark epiphany is still an epiphany to be welcomed.

Then, a little later, I read Rebecca's Epiphany post on Whatever else my life is....it is also this dazzling darkness.  She says:

Having the aha moment or the great epiphany can be very exciting. Having all of the puzzle pieces fall into place after a long discernment or just receiving the grace of an understanding from seemingly nowhere can be a spiritual and emotional thrill. But, it seems to me that most of my epiphanies have brought with them an invitation to change and to transform. They come for my benefit and for the benefit of the world, and so I am asked to act. That action usually requires courage, integrity and discipline.

I cleaned some more, pondering all of this. During my next break, through investigating the blog of one of other commenters on "Dark Epiphany," I clicked a link called The Bee Goddess, where I read that in ancient Crete, " the bee signified the life that comes from death." Discussing a golden seal found buried with the dead in that culture, the author describes the image on it: "The bee goddess, the figure in the center descending to earth among snakes and lilies, is being worshipped by her priestesses, who, characteristically, take the same form as she does, all raising their ‘hands’ in the typical gesture of epiphany." Snakes and lilies; this spoke to me. Would it be over the top to mention that my name, Susan, means "lily?" And that lilies symbolize forgiveness and purity?

And then I remembered a small piece of what I had read in my daily prayer book, Celtic Benedictions, the night before the dream.  I went back and looked at it.  Just before going to sleep, I had prayed this with the words of the book:

Let me learn of you in the soil of my soul, O Christ,
and your journey through death to birth.
Let me learn of you in my soul this night
and the journey of letting go...

...Set free my dreams of the unknown.
Safeguard this time of resting, O God,
enfold me in the darkness of the night.

Astonishing.  My dreams of the unknown were certainly set free, just not in the way I would have chosen.  I was definitely enfolded in the darkness of the night.  I was also “safeguarded”, but again, not in a way I would expect, or normally associate with that word.  And after I went back to sleep that night, my rest was deep and whole.

This is when I got the overwhelming sense that my epiphany experiences thus far were asking to be written and shared.  It was an uncomfortable thought, and was definitely an action requiring "courage, integrity and discipline." It was becoming more and more apparent to me that there was real significance to my experiences over the past couple of days.  But what was I going to do with all this stuff? How to create the impossible union of spheres of existence?

I began to process all of it in earnest.  As outwardly I cleaned and organized my house, I inwardly ordered my mind and heart.  I mused about the meaning of Epiphany.

I've mentioned before that one of the big appeals of religion for me is entering into the narratives of my tradition, Christianity. The Epiphany narrative is of the Three Wise Men following the star and coming to see the Christ-child. I've heard that they didn't actually get there until Jesus was two and the family was living in a house, which I kind of like. I am amused by the image of Jesus as a toddler, fondling a chunk of gold and then trying to smash it on the floor, or flinging frankincense around the room with gleeful abandon.

At any rate, the rationale of the house blessing follows from this story. This ritual, which I'd been planning for days, now seemed even more important and meaningful after my experience of the previous night.

It was mid-afternoon before I got to a satisfactory stopping point with the cleaning (no, it is never "finished"), and prepared for the house blessing.  I used a ritual from the book To Dance With God, by Gertrud Mueller.  There's a little bit of liturgy to recite, and then you're supposed to go around the house with incense, or sprinkling holy water in every room while consciously blessing that space.  Then you're supposed to take a piece of chalk that you've blessed and write above the main entrances of the house, the year and the initials of the three wise men (Caspar, Melchior, and Balthasar) like this:

20 + C + M + B + 10

It seemed a little weird to me, this last part, but what the heck.  I didn't have a piece of chalk so I used an orange colored pencil. Very lightly.

I visited each room with a sage smudge stick a soul-friend of mine made for me and which I'd never used, and wafted the smoke with the large wild turkey feather I found last fall in the grove by the St. Francis church.  Then I carried a silver bowl of water that I keep by my bed to enhance my dreams, and sprinkled some in every room.  I finished by ringing a little bell in each room.  Maybe all of this sounds goofy to you, but it felt great.  My house felt so clean and calm and clear and fresh at the end of it all.  I was really really glad I'd spent the day this way.  And I began more and more to see that dream as a gift.

I also anointed myself with frankincense essential oil, a fitting gesture, I thought, for an Epiphany celebration.  But what struck me was that I REALLY like the way it smells.  And it's the same smell that it was 2000-odd years ago when it was offered as a gift by the wise men. Through a little research I discovered that "the mythical Phoenix bird was thought to build its funeral pyre out of frankincense and myrrh". Also, that  it was used in pagan purification ceremonies in many cultures. Purification. Yes.

Now it was time for the kids to come home, and to get ready for the Epiphany service that my church was holding that evening.

When I entered the quiet, candlelit church, the atmosphere of peace resonated with the clean quiet of my heart. My mind was not quite as clear. I was holding the big question at bay, Should I, can I, continue with Justin? The Applebees fiasco was still with me, asking me to see the reality – that despite our best intentions, we harm each other in a way that shuts us both down. And no matter how much progress we seem to make, these instances set us back to square one. I wasn't exactly fighting this recognition, but laying it aside for the moment, letting these unfolding experiences work on me and bring me the answers deeper than intellect or willful resolve.

The pastor, Wayne, was dressed in a simple white robe with a cord of rope around his waist, not what he usually wears. The service was simple and prayerful. Wayne played a song on his guitar and sang – things I had never witnessed him do. 

 

The scripture was from Isaiah 60:

 Arise, shine! For your light has come,

and the glory of the Lord has risen upon you.

For darkness shall cover the earth,

and thick darkness the peoples;

but the Lord will arise upon you,

and his glory will appear over you...

I felt tears welling up and looked down at my lap, lest someone notice. And then Wayne read:

Lift up your eyes and look around;

they all gather together, they come to you...

Then you shall see and be radiant;

your heart shall thrill and rejoice.

I was moved to my toes. I lifted my eyes and saw quiet love. Wayne began speaking, what he spoke of was not the gifts of the wise men, or the brilliance of the star, but of Herod. For those of you not familiar with the story, when the wise men come at last into Jerusalem, they go to King Herod to inquire of the whereabouts of the “new king” that has been born. Herod, afraid of this potential threat to his authority, tells them that once they find this child, they should report back to him. Once he knows where the child is, his plan is to kill him. The Wise Men, being wise, realize the malicious intent in Herod, and return to their homeland “by a different way,” to avoid Herod.

Something that has struck me since that night is that the Wise Men were strangers to the land, aliens, and must have seemed especially so when they showed up at Mary and Joseph's doorstep. But they were welcomed, just as I must welcome the strangers in my own soul.

What Wayne preached about was Herod's fear, how everything he is reported in the Bible to have done was out of fear. How even in the joy of the nativity story, there is the backdrop of shadows and death. How we all live against this backdrop. Darkness creates fear in the human heart, he said, using the example of a child wanting to leave the lights on at night because the monsters grow larger in the dark. But, he said, fear also creates darkness, it works the other way too. And yet, there is this glorious light beyond all light, that is real, and all we have to do is find the courage to lift our eyes to behold it. All we have to do is trust it, and then there it is. 

And there it was. 

And here it is.

No simple answers, only “hints followed by guesses,” but in the weeping, in the lifting of eyes, the impossible union beheld.