Of Messes, Masses, and Ships

Christmas this year, like every year, was messy. But it's a mess I'm learning to surrender to. In the imperfect and often sloppy, can be beauty and joy.

We made a mess of gingerbread cookies early in the season. They didn't look like the cookies in the Christmas books, but they were fun to make and eat. Even my 16-year-old's ubercool boyfriend helped.

One of my goals this year was to make a photo calendar for the relatives, but with the messiness of end-of-semester insanity at the same time as Christmas preparations, it didn't happen. I kept trying to get everyone in the same place at the same time to take one good family photo with a Christmas theme for the December page. The day when I finally managed to gather everyone, Eliana was tired and fussy. After about thirty (wasted) shots, these were the only two that came out anywhere near presentable.

But by the time I actually got these on my computer, there wasn't enough time to get the calendar out by Christmas and I was swamped with other things, so the project was abandoned. Oh well, maybe next year.

Because June Amber had to work on Christmas Day, we decided to have our big dinner on Christmas Eve. But I also knew that my beloved's mother was coming to town on or shortly after Christmas Day, so I bought a prime rib and a turkey. Well, actually, two turkeys, since it was buy one, get one free. We had the prime rib Christmas Eve.

In case you're not familiar with the paper crowns, they come out of Christmas "crackers," which are sort of like toilet paper tubes wrapped in shiny paper of various colors. (You can see a silver one in the above photo.) Everyone at the table holds an end of one with one hand and an end of another with the other hand, so that a chain is formed around the table. Then everybody pulls and they make a terrific popping sound as they come apart. The contents of the tube - which consist of the paper crown, a really bad joke on a small piece of paper, and some small plastic item like a whistle or a tiny yo-yo - then go flying everywhere.

It is mandatory to wear the paper crowns throughout dinner and to tell the lousy jokes. The weirdest joke this year was "What do you get when you cross a cow, a sheep, and a goat? A milky baa kid." If anyone at all gets this, please explain it to my unenlightened family. Poor Justin was quite disturbed and spent most of dinner trying to figure it out.

For dessert we had my famous eggnog cheesecake.

The Bourbon Fruitcake I made is behind the candle, but you don't want to see it, I promise. The whole top of it stuck in the pan, so it's, well, messy-looking.

I had been making a very conscious effort to "go with the flow" this Christmas, and not be attached to things happening a certain way, but the one thing I really was determined to do was walk to Midnight Mass at the San Francisco church. However, by 11:15, having just finished dessert a half hour before, and Eliana still up and cranky, the exhaustion set in and I began the process of talking myself out of it. I put Eliana to bed and was reading her stories when I heard the church bells begin to ring. I squelched the yearning that arose and went back to reading about the Christmas mice who get a present of cheese from the cat. Just then, Justin came into Eliana's room and said he'd take over so I could go. I hedged, but he looked me tenderly in the eye and said, "The bells are calling you."

This was my second time attending Midnight Mass here, but my first since I moved into the neighborhood. There was something liberating and exciting about walking over there by myself late at night. I used to attend Midnight Mass at a cathedral in Baton Rouge, and this one is so different. The cathedral mass was decidedly "high church" with the Gregorian-type music and much solemnity. In this mass all the songs were in Spanish and accompanied by a single acoustic guitar and a mediocre lead singer. The combination of this with the traditional Catholic incense and liturgy gives it a strange combination of high church and low. And then the priest is Scottish. I can't begin to explain the incongruity of the Spanish music and the Scottish brogue, but it works, and is lovely, and somehow holy spaces are created in the disparities.

After the mass, we all walked out through the courtyard, which was lined with luminarias. The statue of St. Clare was circled by them. In the parking lot was a series of small bonfires, and people were standing around them wishing each other a Merry Christmas. I walked home at peace with the world, my heart full of love, pondering the pettiness that often holds that love back. Earlier in the evening, when I was preparing to serve dessert, I had a moment of self-pity because everyone had disappeared and left me to do the dishes, and now here I was serving an elaborate dessert, and no one seemed to even care enough to be there. Unfortunately, I dumped this negativity onto Justin (who was the only one who WAS there), effectively pushing him away for the rest of the evening. As I thought of this, I resolved to be more magnanimous and selfless with those I love.

The house was quiet and dark. When I entered my bedroom, I was greeted by an overpowering scent of essential oils and the sight of Justin and Eliana sprawled out asleep on the bed. Apparently, they had somehow migrated from her room and he had fallen asleep before her, because she had gotten into my essential oils and poured out the entire bottle of cypress and most of the ylang-ylang. She also had found and torn open the little gift I had carefully and beautifully wrapped for Justin earlier and had planned on giving him after Mass.

I felt devastated and angry with Justin for allowing her to do this. All that waste of time and energy and money and scent. But I firmly turned my heart back to what I'd been feeling before I walked into the room, and heroically refrained from losing it. However, in the middle of the night, Eliana woke up and was fussy, and in my sleepy haze, I was grumpy and said something mean to Justin. The next morning, I knew he was hurt and I regretted my harsh words. We avoided talking about it though, putting our personal mess aside to engage in the glorious mess of opening presents.

Later, however, I was sad and discouraged that it's so hard to be kind and loving, and that often when it feels like Justin and I are getting closer, I succumb to a negative emotion and express it in a way that drives him away. Sometimes I feel like a failure, and it's so frustrating to fall into the same stupid mindless destructive habits when I've resolved to change them. At times like that, it just feels overwhelming, and it's hard for me to get back to the perspective that it's a work in progress, a practice, and there will be failures but that's ok. Consequently, I spent most of Christmas afternoon in tears, feeling like I'd "ruined" everything (a lifelong issue for me). Why do I waste so much time making mistakes?

But somehow this emotional spilling was also cleansing. That night, Justin made an awesome stew with the prime rib leftovers and we had a cozy and satisfying evening, lazing about in the messy living room watching the movie, Elf.

So my lesson this Christmas, my big epiphany, is as follows. There are basically three things you can do with the ongoing wastefulness and messiness of life:

1. Spend most of your time and energy focused on cleaning up messes and regretting making them.
2. Ignore them.
3. Transform them into something beautiful by perceiving and attending to the beauty that's already in them.
   

The first one is the default state for me. Or, more accurately, it's the default state I tend to think I "should" be in. In reality, the second one is equally my default state; I tend to go back and forth between the two. Which is why my house is usually either completely messy or spotless.

I've been reading Karen Armstrong's memoir, The Spiral Staircase, which I won't summarize here, but there is a scene in that book that is relevant to this discussion. After having lived a life of rigid order and discipline, Armstrong goes to board at the house of a family who are very loose and somewhat radically liberal in their lifestyle. She describes the house as being a complete mess, utterly disordered, but she finds this liberating. She says the state of this house reflected "a cheerful disregard for appearances."

In church this past Sunday, the pastor said something about how God doesn't care about how we look on the outside, and I thought of Armstrong's expression. Could it be that God, too, has a cheerful disregard for appearances? The scripture related to the pastor's comment was from Colossians 3, when Paul advises in verse 12 to "clothe yourselves with compassion, kindness, humility, gentleness and patience." The point is that these are the qualities that give order and peace to our lives, not outward appearances.

When I apply all this to the messiness of relationships, it helps me to remind myself that although there will be mess and waste, these are just "appearances" as long as the qualities listed above are the ongoing focus and goal. Is wrapping paper "wasted" because it's tossed aside to reveal the gift? Was it a waste of time to make all those gingerbread cookies because they were gone in an hour? To take all those "useless" family photos? Was Christmas afternoon wasted because I spent it crying? The answer is No to all of these, if I cheerfully disregard the appearances of waste and focus instead on the spiritual qualities that were shared or expressed or taught.

The third method of dealing with messes and waste came clear to me a couple of days after Christmas, when we went out to visit Justin's mom and her boyfriend at the Earthship they booked for their stay in Taos. (If you're unfamiliar with Earthships, click here.) The basic premise of an Earthship is that they are houses made from as many recycled materials as possible and designed to be extremely energy efficient and sustainable, entirely off the grid.

Linda and Bob stayed in the Phoenix Earthship which has a jungle behind the living room, where banana trees, flowers, and even vegetables are grown.

The walls are constructed with tires, and old glass bottles are used to decorate and filter light through walls.

I'd heard a lot about Earthships, since I live in Taos and the first Earthship community was here, but I'd never been inside one, and was stunned by the beauty and attention to detail.

I tell you, it was just like being in Rivendell. Imagine being in a house where everything feels handmade by a master artisan. That's a TV screen above the fireplace/waterfall.

There was even a strange spiral staircase, and I could see my reflection on its walls.

To take what appears to be waste and turn it into something like this Earthship is downright inspiring. It gives me hope that what is wasted can be redeemed and messes can be transformed into beauty and order. And when it comes to relationships, this experience has given me a new guiding metaphor. Instead of regretting or ignoring their messiness, I can work on turning them into Earthships.

Treasures of Darkness: Part II

It is better to be violent, if there is violence in our hearts, 

than to put on the cloak of nonviolence to cover impotence. 

~Gandhi

What is violence?  And what do we do with it?

Dictionary.com's first definition of the word "violence" is "swift and intense force,"  as in "a violent storm."  This kind of violence is natural, and unavoidable.

The second definition is "rough or injurious physical force, action, or treatment."  This sounds more like the kind of violence most people agree is inappropriate in most situations.

The American Heritage Dictionary lists as its first definition:  "Physical force exerted for the purpose of violating, damaging, or abusing: crimes of violence."  This sounds even more like the kind of violence we want to avoid or overcome.

What is the difference between this kind and the "natural" kind but human intention? 

Is violence just

anything

that wounds?

Blake said, Colors are

the wounds of light.

Everything

is wounded, even

light is broken.

This violence is

essential

to the world.

This is beauty.

When my heart is

hard and dull and dry, it wants

to be broken,

a violent grace;

my heart must be

broken open,

because it cannot break

itself.

This is beauty.

While I was working on this post, I came across a very interesting chart of the "Levels of Human Development," in the magazine What Is Enlightenment?  According to this chart, the "Integral" phase that humanity is beginning to enter will be defined by "new, higher forms of integral or holistic thinking."  One of the people held up as an "exemplary leader" at this level is Teilhard de Chardin.  The philosophy he may best be known for is that of the Omega Point, the belief that humanity is evolving into union with the divine.

I had already been thinking about him in relation to this discussion, because of his reaction to being involved in World War I. For him, being on the front lines led him into an exalted, mystical experience, reducing life to its essences, and paradoxically inspiring his faith in the spiritual evolution of humanity.

Another strange and wonderful thing that happened while I was contemplating all of this occurred at the library. I was browsing in my favorite section, the 291s, and a book called Anam Cara: A Book of Celtic Wisdom, caught my eye. I opened it randomly and read the following, in a section whose heading was “Contradictions as Treasures”:

We need to rediscover contradiction as a creative force within the soul...that disavows mere linear progress in order to awaken all the aggregate energies of an experience. It is the turbulence and conflict of their inner conversation that brings an integrity of transfiguration...There is a secret light and vital energy in contradiction...If you remain faithful to this energy, you will gradually come to participate in a harmony that lies deeper than any contradiction. This will give you new courage to engage the depth, danger, and darkness of your life.

John O'Donohue, the author of this beautiful writing, then goes on to say that we need to reconsider what we judge as negative, that morality is often “the enemy of growth” because of the rigid judgments associated with it, and that we need “a new way of understanding and integrating the negative,” by befriending it.

Author Barbara Kingsolver, in her essay, “Be Careful What You Let In The Front Door,” discusses receiving two letters addressing the violence in her novels in the same week One of these letters was from a woman who had been abused as a child, and couldn't read past a certain point in one of Kingsolver's novels because of the violence done to one of the characters. The other letter was from a nun, praising her for “daring to hold up a mirror of the horrible devastation our country has visited upon Nicaragua” in her novel, Animal Dreams. These letters led Kingsolver into deep contemplation. She comes to no ultimate conclusion, but says, “I don't know whether my convictions about art...that contains violence will ever be allowed to settle into a comfortable position. They have been revising themselves for a long, long time, roaming restlessly over the options, continually exhorted by the ghosts that bless and curse.”

Twelve years later, in her book, Animal, Vegetable, Miracle, she offers an excellent discussion of actual violence, in the context of killing the animals her family raises to eat on their small farm. She says, “It's not without thought and gratitude that I slaughter my animals, it is a hard thing to do.” And she offers the following quote from Kahlil Gibran:

When you kill a beast, say to him in your heart:
By the same power that slays you, I too am slain, and I too shall be consumed.
For the law that delivers you into my hand shall deliver me into a mightier hand.
Your blood and my blood is naught but the sap that feeds the tree of heaven.

The meaning embodied in this message is what rescues the acceptance of paradox from fence-sitting, integration of the dark side from alignment with it.  Because to have this kind of identification with the object of your violence is to have compassion.  And for me, choosing a position on an issue only has value if it is an expression of compassion.

I hope you'll join me as I explore the relationship between violence and compassion in the third and last post of this series.

Full of Hot Air

On the morning of my youngest's second birthday party, I rose early because I have a bad habit of rushing around at the last minute to get ready for parties, and I was determined to do it differently this time.  Also, I needed to go do laundry.

So I packed up my laundry baskets and headed out.  I'd gotten a couple of blocks down the road when I saw the balloons.  I'd forgotten today was the Balloon Fiesta.  I promptly turned around and fetched my camera.  I tried to take pictures while I was driving, but that didn't work so well, so I pulled into the bank parking lot and got out of the van.  Several others had done the same thing.

 

 

 

I climbed back into the van and headed over to the Free Box, which is a fenced area next to the Taos Recycling Center, where people can drop off or pick up whatever they want.  It's where I found the camera that I've used to take all the photos on my blog.

I've always been a big thrift store shopper.  It's the treasure hunter in me.  And also an expression of my belief in recycling.  Most of the clothes I own are secondhand, and when I've occasionally shopped for new clothes, I don't find things I like as much as I do at thrift stores.

The Free Box takes secondhand shopping to a whole new level, especially in the sense of serendipity.  One of the things I love about thrift stores is the way I'll put something I need or want out there to the universe, and then find that exact thing.  The Free Box is even more like that.

I found my camera, for instance, right when I was starting a blog.  All my life, I'd avoided photography like the plague.  Before digital cameras, I had issues with using a camera because of having to press it up against my glasses and squinch one of my eyes shut.  It was uncomfortable and awkward, and my photos were always off center.  Digital cameras intimidated me because they were so technical.

I've also had a philosophical problem with photography.  In all honesty, I held some latent contempt for those who go around photographing everything as a way to record experiences instead of actually having them.    Wendell Berry has a great poem about this, called "The Vacation."  There are definitely people who are too busy taking pictures to see.

But a camera came to me, out of the free flow of the world, and because it was free, I wasn't afraid of it.  I started playing with it, and discovered that photography actually helps me see better.  I pay attention more closely now, notice what is worth noticing.

Which is just about anything from the right distance and angle, and in the right light.   

 The antenna thingy on top of my house, for instance,

or puddles in the courtyard of the St. Francis church.

So now I'm to the point where I have to turn around and get my camera so I can photograph hot air balloons.

I felt slightly guilty, though, because I needed to drop off some things at the Free Box and then get to the laundromat so I'd make it back home in plenty of time to get ready for Eliana's party.

However, I couldn't resist taking one more photo at the Free Box.

And then one more on the way out.

And then, what was I going to do while I waited for the clothes to wash, but amuse myself somehow?

 I also visited the nearby Farmer's Market while the clothes were drying.

It's red chile ristra time.

At home, my kids had been decorating for the party,

so I was greeted by more balloons.

 

 

The party went great, Eliana had a wonderful time, and even the cake I baked came out pretty good.  I made it from a mix because, although I'm good at other kinds of baking, I suck at cakes from scratch.  But it was a really fancy yummy mix called Mam Papaul's - six bucks at Albertson's.   

It was a great day.

Ghost Ranch Gathering: Into The Heart of the Desert

A time to gather
myself to myself.

A time to gather sacred life
into silent landscape.

A time to gather heart to mind
and back again.

A time to gather in the heart
of the high desert
with twelve brilliant women,

contemporaries and ancients.

My home for the next three days

is Casa del Sol,

a hacienda,

the spiritual heart

of Ghost Ranch.

 My room is small and simple.

Some previous visitor

has left seven-day candles

in the hearth.

We begin each day walking

the labyrinth.

Mornings

and evenings,

we study

the Desert Mothers.

In the 300s,

when Constantine made Christianity

the state religion,

many rebelled, saw it as sellout.

They retreated to the desert,

against the status quo.

Some, especially men,

became hermits.

But often the women

created communities

where they shared
and prayed
and taught.

Syncletica
was considered very wise.

She taught about living
an authentic life.
She said,

It is possible to be a solitary in one’s mind 
while living in a crowd, 
and it is possible for one who is a solitary 
to live in the crowd of his own thoughts.

Mary of Egypt
was a probably a prostitute
or at least quite promiscuous.

She left that life
and entered the wilderness
where she lived
to the end of her days.

Macrina was the woman
behind the famous brothers,
St. Basil and Gregory of Nyssa.

She was compared to Socrates

for her wisdom.

Gregory said she was:

A woman who raised herself by philosophy

to the greatest height of human virtue.

Mary C. Earle,

in her book, The Desert Mothers,

 says the lesson of these women is:

Daily practice, 

focused on what matters 

in the long run, 

shapes each of us

into true human beings,

marked by the glory of God.

  

My practice,

afternoons at Ghost Ranch,

is solitude and silence.

Just me

and the desert.

This huge silence is

the Word of God,

living and active,

listening, alert;

not even a bird

breaks into it.

 

Unadulterated sunshine

holds hands

with a breeze,

and they both

hug the rocks.

 

A single plane

passes over

the daymoon.

 

I crawl on my belly

up soft windswept mounds

of red dirt,

 

immediate geology,

cracked

like an old elephant.

 

In this overflow of solitude,

I think, What if

my longings

are God's longings?

That could be my soul

turned inside

out,

these monuments

of rock,

 

 

these fractal branches,

 

this perfect pentagon

of white stone.

Resting with this Earth,

I receive

her healing.

She is the greatest

Desert Mother

of all.

No agenda but to love

this self

in this body,

on this earth,

my own monastic cell.

The Desert Father, Abba Moses said,

Go to your cell

and your cell

will teach you all. 

Nothing that isn't,

nothing to escape,

when there are no walls.

The final morning

brings first snow,

a perfect symbol

of renewal,

purification,

 

an unexpected alteration

from beauty to beauty,

movement

from earth to earth,

home to home.

Ghost Ranch Gathering: The Journey There

The open road leads into storm,

through mists and mysteries.

 

Rain patters on the windshield

as I peer into bluster.

 

Skyline rolls along,

 

into varied landscapes

and shifting skyscapes,

tilts and turns

as sun begins

to surface.

 

Through valleys of trees
in their autumn dresses

into canyons and

up and down hills,

on I journey
until I come into the heart
of the high desert.

I meander along
the gravel entrance road,
entranced.

I am
hushed,
beyond words
for this beauty
to which I have arrived.