Merry Meltdown

Almost every year, at some point on Christmas Day, I find myself in tears.  You might say it's a tradition - not planned and anticipated like wrapping presents or making my eggnog cheesecake, but just what spontaneously seems to happen.  I think it's largely because of attending Midnight Mass at the Ranchos church the night before, the way it opens and softens me. Also, being up so late means I'm tired on Christmas Day, and that adds to my feeling of vulnerability.

This Christmas crying is not a bad thing.  As Kahlil Gibran pointed out, sorrow and joy are inseparable.  And for either to exist, the heart has to be open. 

Christmas is about the birth of a baby - the most vulnerable, crying kind of creature there is.  When the Holy Child is born in my heart, joy cracks the brittleness inside me a little bit more, and I see the remaining brittleness more clearly.  The desire to freely and fully love is ignited anew but starkly contrasted against that, I see where I still fail, where I am still frozen in fear and resistance, and in noticing that, a little of it melts into tears.

Though God’s wisdom and holiness remind us of our limitations, it is precisely within these limitations that wisdom is often revealed.  The incarnation represents the moment in which this wisdom enters the human sphere in all its contradictions, so that nothing is left without transformation and transfiguration.   

~ William J. Danaher Jr. (via Edge of Enclosure)

So here I am the day after, and I can treasure these insights and begin again.  It's perfect that the new year begins soon after Christmas; I can plant seeds in this darkness and water them with these tears, and watch a new thing grow.  The light has been reborn, the world has been reborn, and I am in these movements too.  This beautiful day is mine to live, to surrender and surrender to the flow of grace in each moment.  And when I fail, to surrender again.
 

  Always we begin again.

~ St. Benedict

Consuming Christmas

Blessed is the season which engages the whole world in a conspiracy of love. --Hamilton Wright Mabie

The world is made of stories, and traditions and rituals are the ways we collectively enact those stories and keep them going. Most would agree that many of our collective stories are dysfunctional, but to say they are not "true" is to miss the point. There are no true stories: stories, like anything else in the world of the senses, can only point to truth, make space for an experience of truth.

The senses are the portal, as we are flesh and blood creatures in this world.  This is what has been given.  And that's why I love Christmas, because it is a shared feast for the senses.  We vary in what version of Christmas story we hold dear, but if we hold any of it dear at all, there are certain agreed upon symbols, colors, scents, etc.  Surrendering to the profusion of those, for me, is what makes Christmas magical, even though I am well beyond childhood.

Representing a progressive Christian point of view, Richard Rohr says:

Christmas is a celebration of God become flesh, of the sacred presence which shimmers through everything in this world.  The Incarnation is not an abstract theological principle, but an intimate flesh and blood invitation to celebrate the gifts of our senses and our bodies as portals to the divine. We are called to awaken to the holy birthing happening within us, not demanding our work, but our consent for this work to happen through us.  And yes, this is much harder than it sounds.

Thus, Advent and Christmas are for me a call to keen awareness of both light and dark within myself and in the world, and of my own power to bring forth light through surrender to the light that wants to come forth.   I find myself, at this time of year, both brimming with gratitude for the grace in my life - the abundance I have done nothing to deserve, as well as more aware of where there is want.

This is what happens to Ebenezer Scrooge in A Christmas Carol.  His transformation occurs out of awareness of want, both within himself and others, and gratitude that he has the power to do something about it.  I recently read a commentary on Internet Movie Database which added a new dimension to my understanding of this:

The word "humbug" is misunderstood by many people, which is a pity since the word provides a key insight into Scrooge's hatred of Christmas. The word "humbug" describes deceitful efforts to fool people by pretending to a fake loftiness or false sincerity. So when Scrooge calls Christmas a humbug, he is claiming that people only pretend to charity and kindness in a scoundrel effort to delude him, each other, and themselves. In Scrooge's eyes, he is the one man honest enough to admit that no one really cares about anyone else, so for him, every wish for a Merry Christmas is one more deceitful effort to fool him and take advantage of him. This is a man who has turned to profit because he honestly believes everyone else will someday betray him or abandon him the moment he trusts them.

People today who call Christmas a humbug, although they no longer use that word, often do so because of the nasty consumerist nature of it all, with which I have no argument.  I would, however, point out, that consumption in and of itself is not a bad thing; it's what we do as creatures of flesh and blood.  A feast, by its very nature, is an excess of consumption, and serves the purpose of celebration.  Giving gifts and feasting both enact sharing of abundance in a way that stretches us; this, in my experience, is a healthy and valuable exercise occasionally.  As with anything, what makes it valuable is how consciously, conscientiously, and imaginatively we go about it.  It is in imagining and re-imagining what we already have that we create a better dream of life.

However, to me it's not so much about consuming as being consumed.  By immersing myself in the sensory overload of Christmas; by pouring out creatively, financially, and energetically, I realize surrender of ego a little bit more. I am the Yule log, each year learning a bit better to surrender to the flame and thus become one with it. 

An Extra-Spectral Year

This year has been something else.  I suspected it would be when I realized purple was going to be its color.  I've never been fond of this color; you might even say I'm porphyrophobic.   I've always associated purple with discomfort, with intensity, and also with death.  When I finished making my collage for the year and contemplated the finished product, I just knew it was going to be a fiercely disturbing year, and that there would be death in it.

Then, at the beginning of February, my younger brother Scott unexpectedly died.  And that was just the beginning.  There have been deaths and brushes with death on many different levels this year.  I could do about ten more posts on each of those experiences, but I'll spare you all that.

Really, the death theme started at the end of 2011, and that's partly how purple came to be my color for 2012.  I had been writing the weekly blog for a client's website.  Her product, called Life at Hand, is a system for recording and organizing personal information and vital documents, so a lot of what I was researching to blog about had to do with estate planning and other end-of-life stuff.  In the process of that research, I became more and more aware of (and disturbed by) how deeply in denial we are as a culture about all things death-related.  I began to feel an urgent sense to do something about that, but I knew not what.  All I knew is that death was going to be a focus for me for a while.

When Scott died, I took on the task of planning and leading his memorial.  At the time, I had been happily planning the Valentine's tea party I mentioned in my last post, inspired about the opportunity to create a celebration of my woman friends.  Now that enthusiasm went into creating a different kind of celebration altogether, a celebration of Scott's life.

But I had never done anything remotely like planning a memorial before, so I went into major research mode, and what I quickly discovered is that there is very little freely available on the Internet that is useful for such a task .  The poems and readings I found were mostly cheesy and/or bland, and I was horrified that several sites wanted to charge for the most basic resources.  For instance, one site I landed on wanted $30 for a funeral program template Word document.  After many, many hours of research I did finally find some good stuff, and managed to put it all together, but my sense that how death is approached in our culture needs to have the lid blown off it was amped up several levels.

It wasn't just because of the research, either.  It was because of Scott.

I had never had much of an opinion or feeling either way about the idea of connecting with people beyond the grave.  When people recount experiences of having felt the presence of a dead loved one, I've never really believed or disbelieved it.  But with Scott's death, that changed forever.

One day, shortly after his death, I was sitting with a friend in a coffee shop, talking about him.  Some amazing things had been happening among those he was connected to; a sense of community had formed over many miles among us.  His two ex-wives were connecting with each other, for instance.  And for me, who had been alienated from Scott for several years because his addictions and demons had made him an unsafe person for me to let into my life, I felt all of the walls I'd erected with him come down, and I simply loved him once again.  As I discussed all this with my friend in the cafe, I said, "I have no regrets; I'm at peace with all of this and I can tangibly feel that he is at peace too.  I just wish I could give him one good hug."  And as I said that, all of a sudden everything just lit up and became more alive, vibrant with warm good life; and his spirit, his essence - HE - was there hugging me, and it was infinitely more satisfying than any physical hug.

Eckhart Tolle says that when someone dies it's like a soap bubble bursting; the outer form of the bubble is gone, and what was inside that bubble is released.  That's as good an analogy as any I've heard to describe how this could be.

Can I prove that it was really Scott's essence there with me?  No, of course not.  But I know it on a level that trumps the puny "knowledge" of the rational mind.  Conveniently, there's a fitting metaphor here involving my color for the year: 

There is no such thing as the "wavelength of purple light" on the visible color spectrum; purple only exists as a combination, and is therefore referred to as "extra-spectral."  It wasn't even acknowledged on Newton's color wheel. However, as it says on Wikipedia, "The spectrum is often divided up into named colors, though any division is somewhat arbitrary: the spectrum is continuous."

Just as the color spectrum is continuous regardless of the divisions we impose upon it, so is the spectrum of life and death.  And whether you classify and divide the spectrum, whether you name the color or not and include it as part of a system you recognize, you know it when you see it, and that's all that matters.