Into the Blue and Beyond Laundry

I'm a multiple hat wearer; I've always been that way and always will be. That's part of what makes me fit in here in Taos so well, I think. Most of us here are like that.

The hats I've been wearing for the last couple of years include being an instructor at UNM-Taos and being a celebrant, and both are things that I enjoy. However, it finally hit me this past spring that, even doing both these things, I was barely making enough money to get by. Also, a crisis in my life at that time caused me to reevaluate my sense of purpose and core values, to revisit a passion for environmental sustainability that I had pushed to a back burner for too long.

I began to think about my "green laundromat" idea again, which I first came up with in 2009. In fact, I mentioned that in one of my early posts here, The Little Flowers of St. Clare, because Clare is considered the patron saint of laundry, for some unknown reason. (Anybody know why? If so, tell me in the comments, as I'm dying to know.)

Once I started revisiting the laundromat plan, things began to serendipitously fall into place. I became aware of a free online course in social entrepreneurship offered by Copenhagen Business School, so I enrolled. Through that course, I've been fortunate to connect with an international team who I'm now working with to not only open a laundry center in Taos, but also to eventually franchise and use 10% of our profits to bring sustainable laundry systems to developing countries.

There are a lot of things I could say here about how this business plan has developed, and what all it entails, but if you want to know more, you can read about it on the website, www.beyondlaundry.org. We also have a crowdfunding campaign going on right now, and I tell a lot of the story behind this project on that page: igg.me/at/beyondlaundry.

What I do want to say here, because even though I rarely post anymore, I still consider this blog my spiritual writing home, is that this whole plan has at its core a deep appreciation of water, not just as a natural resource, but in a spiritual sense.

This is my blue year, and once again, my color for the year has played out in unexpected and profound ways. In the collage I made for 2015, the central image is a woman diving into the blue, into a mandala of light and water, and that depicts beautifully what my experience of diving into this plan has been like.

In case you're wondering what the weird contraption under the diver is, it's actually the center of a bicycle wheel I placed over the whole collage. And it spins! And that thing poking out is a chopstick holding it to the wall.

I will continue to wear and enjoy my other hats, but Beyond Laundry (the name of my new company), has finally become the central focus of my work life, as I've wanted it to be these past six years. I can see now that when I first envisioned it, I wasn't ready, for a variety of reasons. Timing is a funny thing. I learn to trust it more and more.

And in really putting myself out there with this new business in a way that sometimes takes me way out of my comfort zone, I'm also learning to trust the water, the source. I came across these words of Jesus recently: "Out of your heart will flow rivers of living water," and that speaks to me in a new way these days. It occurred to me that rivers flow from mountaintops, and to do something so bold in my life means occupying the mountaintop of my heart and then letting the rivers flow, and as they flow, they pick up speed and force. They are pure, and they have a destination. When I allow myself to connect with the poetry and mystery and spirit of water in this way, I find the courage I need to keep diving into the blue, the clarity to identify the flow and the trust to go with it.

The Giver of Rocks

So it turns out I'm not quite done with the San Francisco de Asis church after all.  And it occurs to me that really, as long as I'm living in Taos, I will periodically find the time to stop by and sit by Clare and the hawkmoths.

Last Sunday, Eliana kept saying she wanted to go for a walk, so we went over there together, which is something we haven't done very often, and the last time she was still too little to walk by herself.  But this time, we went side by side, and it was lovely.  And when we walked through the grove that is no longer a grove, I noticed that the huge tarp they left there after enjarre last summer was still there.  (To be honest, part of what I was looking forward to about this walk was seeing if the tarp was still there, because 70% of my thinking these days is about where to get building materials and equipment, and tarps are needed to protect earthbags from UV rays during the building process.)  When I stretched it out and saw how big it really was, I realized I would need help folding it, so I called Graeme and he came to help me and then carried it back home.

Then Eliana and I proceeded on to the church, and I came across my second great find as we walked through the alley next to the gift shop.  They often leave boxes of empty used glass 7-day candleholders out there, but this was the first time they seemed of any use.  I've been researching making windows using old bottles and jars lodged in cob, so I was very excited to find these.  Now I will have part of the church permanently built into my house.

Do you see the cross design?  So cool!

Over at the church, there were quite a few visitors milling about the courtyard, and I found myself sitting at St. Francis' feet engrossed in a pleasant conversation with a couple from Dallas.  Meanwhile, Eliana was running happily around the courtyard, picking up rocks and then running up to whoever was nearby and saying "Here's a rock for you."  One couple was so delighted with this, they even included her in the photo they were posing for in front of the church doors.

It was a beautiful spring day, one of the first of the season, and I felt rich in my relationship with that place again, and blessed with the abundance of gifts of the day.  A tarp, a box of candleholders, a daughter who's an exuberant giver of rocks.  In my Lenten practice of giving up "stuff," it's these simple things that are coming to me in the new space I'm making.  I think Francis and Clare would approve.

At the Crossroads

I've been thinking a lot about the concept of pilgrimage lately.  It has been one of those themes that starts coming to me from several different directions at once until I find myself viewing it from a number of interesting angles. 

During the writers' conference that I participated in a couple of weeks ago, I had a major epiphany about my relationship with the San Francisco de Asis church.  From my very first post about it, I used the word "pilgrimage" to describe what I was doing in walking over there.  I said it was like taking a little daily pilgrimage, but what I've now realized is it's not a series of small pilgrimages, but only one, a long and profound one.  It's not a long journey in terms of physical distance but of time and moving through layers to an essential core.  

And today on Claire's blog, her post is titled "Pilgrimage as Inner Journey," and astoundingly connects with my own experience and thoughts.  She starts the post with a pilgrim's prayer, and one of the phrases that really jumped out at me was the plea for "a guide at the crossroads."  Because a crossroads is exactly where I am.

Ever since the writers' conference I have been dealing with the sense of moving to a deeper level with my relationship to the St. Francis church and the book I'm writing about it.  The piece I submitted for the conference workshop was woven together from various blog posts about the church, and the thematic thread I used was that of nakedness.  Some of you may remember my post last fall called "Naked in the Town Square."  I drew out the theme from that post to encompass the whole piece, and found it developing in my heart and mind as I did so.  Today in Claire's post, she talks about inner pilgrimage as a process in which she hands over to God all her life, both inner and outer, a process which feels like "stripping bare."

I am naked at the crossroads right now, because the conference made me realize that this book I'm writing is no longer hypothetical - I'm really doing it, and that process means getting more deeply involved with the church.  It occurred to me that it's time to talk to the priests and let them know what I'm doing, that it's only respectful to do so.  And also that one of my desires is to weave journalistic writing in with my memoir-ish stuff, and in order to do that I must connect with actual members of the church, get to know them, interview them.  It's time to move beyond the courtyard and enter the building, the body.  And this frightens me, for a number of reasons:  Fear of approaching people I don't know, doubt of myself having the "right" to be writing this book, boldness to claim that I'm doing so, putting myself and my writing out there to be scrutinized by people who have been members of the church all their lives.  Naked, naked, naked, in the stark light of day.  It would be so much easier to keep sitting in the courtyard with the hummingbird moths.

But honestly, the thing that frightens me most is in how I will be altered by deepening my relationship with this church.  I fear that I will be swept away, lose myself to it.  I have been flirting with the church, and now I'm confronted with the choice to make a commitment that I have no idea where it will lead.

Claire speaks of pilgrimage as a time of testing and says, "There is always a moment when it gets too much."  And to continue beyond this point requires surrender.  This is the crossroads where I now find myself.  Will I, as Claire puts it, allow the path I'm walking to "walk me?"  Even as I write this though, I realize it already is, even though I still have strong resistance.

Just now the church bells began ringing, calling the people to worship.  Today is the feast day of Santiago, and the annual Taos fiestas honoring this saint are in full swing downtown.  Hearing the bells, I feel an aching longing to be at the mass, but fear holds me back.  I'm not Catholic and I don't know how to do things like enter the pew and even if I did I would feel like a fake going through those movements.  I don't know the words spoken and sung during mass that Catholics know by heart, many of which are in Spanish, which I don't speak.  I don't know if they have childcare for Eliana or if I'm supposed to keep her with me, and I'm too afraid to ask.  And so I don't go.  I sit here and write about it instead.

Interestingly, the specific pilgrimage Claire refers to is the Camino de Santiago in Spain, and she writes of currently being elsewhere in the world, missing that place, knowing that today there is a huge celebration of the saint for which it's named. 

An amazing thing that came to me through the conference was in a discussion I had with one of the other participants who said she sensed that my deepest connecting point with the church is through St. Clare, not only in terms of the statue in the courtyard that I love, but also her story, that this woman perceived wants to be told and lived through me.  So today I am thankful to both my Cla(i)res for being my guides at the crossroads, and the awesomeness of this interlacing is not lost on me.

The name, Cla(i)re, of course, is related to clarity and light.  I have many photos of the statue of Clare in which she is framed by incredible clouds.  This is the metaphor I turn to today.  Recently I closely inspected an iron cross in the courtyard that I had never paid much attention to before.  I discovered that there is a Latin inscription on it, "Occurrent nubes," which Googling led me to learn means, "Clouds will intervene."  I love the mystery of this, I love that I can look at the clouds of my own doubt and fear and see how they interfere with my clear direction, but also in some way contribute to the overall pilgrimage.  A pilgrimage is not a straight walk from here to there.  Clouds refract light into variegated beauty.  They soften the harsh light that exposes nakedness.  They intervene on behalf of clarity if I only pay attention and keep walking the path, however haltingly. 

Arising

Today is St. Patrick's Day,
and
I have no ritual, no essay. 

What was his story again?
Something green, about snakes
and the Christ.  The only interest
this holy day holds for me
now is the Breastplate, the invocation.

I arise today
Through the strength of Heaven 

My stories are dissolving, fading out,
like the last scene of a movie
when the landscape goes
out of focus until all is golden light
filling the screen. 

Light of the Sun

My stories are riding into the sunset,
they are getting married, and I am
giving them away,
they are dying in their sleep
of old age.

Radiance of Moon

I am turning
to poetry.

Splendor of Fire

The question has been posed:
Your desert island book?
For me, a very large anthology
of sacred poetry spanning
all times and places.

Speed of Lightning

My back is to St. Francis and my stories
go down with the sun behind him.
I am facing Sister Clare, and even she
has nothing to tell
but Shine.

Swiftness of Wind

All the stories are a trick of mirrors
and light.  Forget the mirror -
who needs it, when you have the source?

Depth of Sea

I have told the story of why
I joined the church,
of the horrors of self-made religion,
wrong-headedness and failure, the need
for cleansing.  Yes.
But this is only the part
that happens in front
of the audience, there is
also the backstage,
the fear of glimpses
of utter reality, absolute freedom
and emptiness, which sitting
in a church soothed for a while.
Four walls, a safe structure,
a place to lick wounds,
a well-lit path at the edge
of a forest that can never stop
inviting.

Stability of Earth

Now
I see the forest and the trees
as I stand among them
with no exposition,
no tale of bread crumbs, bears, or witches
to frighten, console, or instruct,
with in fact nothing
but an endless poem
that both does and does not
need me to get itself heard.

Firmness of Rock

The Little Flowers of St. Clare

I've always been a big fan of St. Francis of Assisi.  Anyone who would strip naked in the town square as a statement against superficiality and rampant materialism is ok in my book.

But it's only recently that I've come to appreciate his cohort, St. Clare.  My previous sense of her was that she was sort of a twelfth century religious groupie, but since I've been walking to the San Francisco de Asis church, I've found myself irresistibly drawn to her, because of the beguiling and enigmatic statue of her that's in the courtyard.

As you can see, she's surrounded by flowers.  I first started my walks, my little pilgrimages, in early August, when her garden was in full bloom.  In fact, the day of my second walk, I came home and looked her up on the computer, and discovered that her feast day was in two days, on August 11.

The most impressive thing about Clare that I discovered is that she was the first woman to write a monastic rule.  She started the order of nuns known today as the Poor Clares, and the set of rules and guidelines that she wrote to govern this order was approved by the Pope on August 9, 1253, two days before she died.  I just happened to find this out on the exact anniversary of that day.

I also found out that she's the patron saint of laundry workers, which, since I'm planning to open a laundromat, really just gave me chills.

It's true that she was inspired by and devoted to Francis, as he was to her.  In the courtyard, their statues are catty corner to each other, facing each other; hers in the east and his in the west.  When I go there at twilight, the setting sun behind Francis lights Clare up.  And I think this is how it was in life.  They were rarely together physically, but always in spirit, always looking toward each other, illuminating each other.

 

I've never been one to venerate statues.  I'm not Catholic, Buddhist, or Hindu.  But visiting the statue of St. Clare has an odd effect on me.  Every time I go, I end up sitting in front of her garden.  There is what I can only call a substance of spirit about her statue, a sense of presence.  No, no.  I don't think her statue is alive, or that her spirit is trapped in it or something.  Don't commit me to the loony bin just yet.  But just look at this, and tell me there isn't power in it:

There is something mysterious and real there.  Made all the more keen by the profusion of life in that spot, and the life infused into the church building she stands by. 

In case you didn't know, the San Francisco de Asis church is a real adobe structure, meaning that it is made of mud and straw.  Each year, the parishioners get together to re-mud the building's exterior.  So the church is literally anointed by the life of all those hands, all that devotion over two hundred years.  This is my view from where I sit in front of Clare.  You can just make out Francis to the left.

This place is a symphony, and the adobe walls are the bassline.   Throw in Clare and Francis, the chortling doves that roost in the bell towers, the hummingbirds and bees and the multitude of hawk moths, the fragrance of the flowers, the movement of clouds and the echo of magpies and ravens over that huge round sky - and the symphony is complete and exalted, the senses and spirit exult.